We’ll have to wait a little while until Drawn and Quarterly publishes the five-volume set of the complete run of Lynda Barry’s Ernie Pook’s Comeek, but in the meantime, there are a bunch of out-of-print collections out there…if you can find them. I’d like to start the week off by showing off a couple scans from two, GIRLS AND BOYS (1981), and EVERYTHING IN THE WORLD (1986).
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BOYS + GIRLS was Lynda’s first book. Most of it is drawn in a scrawled, punky pen style — a crazy contrast to the fluid brushwork of something like ONE! HUNDRED! DEMONS! The strip was reformatted into a horizontal format, something that Chris Oliveros has emphasized will NOT be the case in the D + Q reissues.
Here I’ve restored her strip, “How To Draw Cartoons,” to its original square format:
Here’s a wacky clip of Lynda reading from the book in the the film COMIC BOOK CONFIDENTIAL:
And here’s a really cool photo of a poster advertising the book from around 1980.
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EVERYTHING IN THE WORLD is a little more refined — it was Lynda’s fourth collection, and the drawings get better and better, but the content is still nutty and hilarious. The gems from this book are these little maps that serve as chapter dividers:
Here’s the strip “What Turns Men On”:
And the strip “How to Catch a Man”:
I found this King-Cat strip from John Porcellino to be a great match for them:
Like John P’s KING-CAT CLASSIX collection, I can only think that the five-volume Ernie Pook collection is gonna be nothing short of fantastic.
Grant says
my favorite series of out of print strips is where the school teacher has the kids do art and science projects. I think it says something like “it was time for art, so everyone got a paper plate”
austin says
“it was a time when…” is the way lynda suggests you start a story whenever you’re stuck. in my experience, it never fails to work
carrie says
Thanks for the scans. A few years ago I saw a copy of Girls and Boys in a used bookstore in Brooklyn, sat and read it all the way through then Quietly moved it out of the children’s section. Stupidly I didn’t move it into my collection and now copies seem to be impossible to find.
Lynda Barry is such a powerful talent. Her treatment of ugly and painful things is so profoundly hopeful that, in my case, they have actually helped heal emotional wounds. Plus they make me laugh. Her early work is no exception.
miriam says
this is the funniest comic. every mormon girl can rrelate