zines – Page 9

Trip to Cleveland

Sunday, October 21, 2018

The 5-year-old and I made a zine of our trip to Cleveland with grandpa’s newspapers (and other assorted print items).

Back at home, we made copies for the grandparents:

It rained all morning yesterday, so I took the 5-year-old into the garage with me, made him a blank booklet, gave him a stack of NYTimes magazines, and let him go. Here’s what he made (with a little glue help from papa):

A few hours later, we headed over to Staple. We bumped into Katia Lara, who praised I Hurt (she’d just seen it on my Instagram!) and let us check out her skull:

Then we checked out the screenprinting station:

And a lecture on zines by Maria Heg, who co-heads Zine Fest Houston. This slide of zinester Martin Luther got a big laugh from O:

And Heg actually made a one-page zine live for the audience:

Now I’m gonna leave a copy of Whatcha Mean, What’s A Zine? lying around for him to find, and maybe we’ll hit the APL zine rack soon…

Filed under: zines

Join us for a celebration

Tuesday, May 15, 2018

This morning I browsed the Austin Public Library’s fantastic zine collection (highlights: Nathaniel Russell’s Fliers and Jillian Barthold’s Scenes From Big Bend) and this afternoon the 5-year-old and I made a zine using Bruno Munari’s Plus and Minus transparencies that I picked up in Milan last year and lines from the APL’s events flier. Pretty fun day.

Fancy zines

Thursday, March 1, 2018

I think of all my books as fancy zines.

Whatcha Mean, What’s a Zine? I’ll let Wikipedia handle this:

A zine (/zi?n/ZEEN; short for magazine or fanzine) is most commonly a small-circulation self-published work of original or appropriated texts and images, usually reproduced via photocopier. Usually zines are the product of a person, or of a very small group.

When I’m working on a book, sure, I flip through my bookshelves, looking for stuff to steal, but what I really love to do is head over to my zine drawer (see above) and flip through zines.

Even though my books are printed in mass quantities overseas and are shipped all over the world, I want my books to feel handmade, like they’ve just come off the photocopier.

Back in December, I wondered in my diary if I should just go ahead and do a real zine, and work my way up to a book:

Maybe next time. Or maybe the country will collapse and this tweet will come true:

There’s something really special about zines. “Zines Had It Right All Along.” “The Internet Didn’t Kill Zines.” Even though “The Blissfully Slow World of Newsletters” can feel close to the spirit of zine culture, nothing digital seems to fully replace them. “A blog is not a zine.”

Whenever I do a workshop with students, zines are the perfect thing to make together: We make a bunch of blackout poems, each choose our favorites, and then we sequence them, everybody getting their own page. Then we run them on the photocopier, fold ’em, staple ’em, and everybody gets to take one home:

If you want to learn more about zines, check out this book and hit up your public library — several libraries actually have zine collections now! The new Austin Public Library has a whole section next to the comics:

HOW-TO BOOKS

Tuesday, November 11, 2008

So many artists are secretive about their process of making art. As if the magician revealed his tricks the magic would be lost.

Thanks to my wife, I’ve recently become inspired by the crafting community (see my posts on D.I.Y. and Maker Faire.) These folks not only peddle their art, they show you how they made it, and invite you to make along with them.

I’m working on a “how-to” section for my book so that people can try our their own poems. I’ve been pillaging my own favorite how-to books for inspiration. Books that don’t just show you how to make art, they’re works of art in themselves. These books have a spirit of generosity and inclusiveness. They believe that anyone can make art. They invite you to play and make along. Here are four of my favorites:

* * *

One! Hundred! Demons!
by Lynda Barry

Barry begins her book with a comic strip about how she discovered the japanese sumi-e brush and ink, and how it opened up a whole new world of creativity for her. She says she “hopes you will dig these demons and then pick up a paintbrush and paint your own! Sincerely! Pass it on! I had so much fun!”

And after 200 pages of her “autobifictionalographic” comics, she has a 10-page section in the back detailing what type of brush, ink, and inkstone you’ll need to try your own. “Come on! Don’t you want to try it??”

* * *

What It Is
by Lynda Barry

Barry’s next book follows roughly the same structure: half the book is a crazy collage/comic memoir, and the other half is a “how-to” writing workbook based on her Writing The Unthinkable! workshops.

* * *

Whatcha Mean, What’s A Zine?
by Mark Todd and Esther Pearl Watson

Rad book about making mini-comics and zines. As Mark and Esther say in the introduction, “We wanted to make a book that we would have loved to have found when we first started our mini-comics.” It includes sections by comics superstars like Ron Rege, John Porcellino, Anders Nilsen, and Dan Zettwoch.

* * *

Ed Emberley’s Drawing Book: Make A World
by Ed Emberley

This is a book from the late 70s I’ve only recently stumbled upon. Ed Emberley shows you how to “make a world” with just a few simple shapes, step-by-step. I love the emphasis on simplicity: if you can draw a triangle, a square, a circle, and a line, you’re good to go.

Here’s a great little video review of the book by Chris Glass.

* * *

What are your favorite “how-to” books?