Austin Kleon

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The gift of obscurity

a spread from Steal Like an Artist

Brad Listi had me back on his Otherppl podcast, and one thing we talked about was the gift of obscurity:

People worry so much about people being angry at them or doing the wrong thing, but obscurity can be this great gift. You can experiment. It’s a kind of freedom. Now, unlimited freedom can be very paralyzing, too. Freedom is not necessarily the best thing ever for art; there’s a tension between freedom and constraint out of which great art arises. Obscurity can be a real gift if you use it correctly.

You can listen to the whole thing here:

Related reading: a message to graduates

Are you really helping here? My interview with Tim Kreider

This afternoon I had the pleasure of interviewing Tim Kreider, author of We Learn Nothing, about his life and work. You can watch our conversation on on YouTube.

We talked about so many things, but I loved what Tim said about Kim Stanley Robinson and Rebecca Solnit being the angels on his shoulder when he’s writing and starts feeling too cynical or grim:

Are you really helping here? That’s what you ought to be doing if you’re a writer. Or any kind of artist. Helping. Some. And it doesn’t mean cheerful or Pollyanna-ish. Francis Bacon, the painter, was helping. William S. Burroughs helps. We all help in different ways.

Here are my prep notes:

Big thanks to Tim for being game and thanks to the folks at Literati for setting it up.

Stay tuned: Next month I get to interview Sarah Ruhl about her book Smile.

My chat with David Epstein

Here’s video of my chat with David Epstein, author of Range: Why Generalists Triumph in a Specialized World. Our conversation, as we had hoped, ranged all over the place. Of particular interest to me:

1. He told me he reads a lot of fiction to try to pick up interesting approaches to structure. He credited his experience helping a film editor friend who had a hand injury — literally sitting there all day and clicking the mouse for him — as hugely instructive.  (This didn’t surprise me, as I learned a ton about writing from film editor Walter Murch’s book, In the Blink of an Eye.) He also said that he’s taken fiction classes.

2. As for his reading diet, he said he reads The London Review of Books, The New York Review of Books, and New Scientist to sort of get leads on what to read next.

3. He keeps “a book of small experiments,” where he forces himself, if he gets in “a rut of competence,” to try out and learn new things.

Here are my prep notes:

Thanks, David! Check out his newsletter, Range Widely.

My interview with writer and artist Edward Carey

“It was dark, and I needed a little light. So every day I did a little drawing.”

Here is video of my interview with the excellent Edward Carey for Creative Mornings Austin. We talked about art, family, Pinocchio, and the challenges of making things during the past year:

When they asked me if there was a local Austin artist I’d like to interview for CM Austin’s 8th anniversary, I had a long list of folks in my mind, but when they said the topic was procrastination, I immediately thought of Ed, and, specifically, this clipping, which I cut out of a NYTimes years ago:

I’m shocked that his latest project still doesn’t have a US publisher. Editors, get on it!

I’ve written more about EC’s work here.

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