My friend Dave Gray interviewed me way back in January for his “School of the Possible.” We talked about creative habits and making a life while making a living. You can watch it on YouTube.
Typewriter interview with Elisa Gabbert
After having so much fun interviewing the poet Mary Ruefle via typewriter, I thought it would be fun to do it again. This time I interview another poet who writes essays that knock me out: Elisa Gabbert.
Owen Kleon’s TECH
What kind of album would you get if you gave an 11-year-old Logic Pro and played him a steady diet of Kraftwerk and Daft Punk? The answer is TECH, the latest album from my son Owen Kleon.
I’ve read and conducted so many interviews with older, established artists. I’ve always wondered what it would be like to do an interview with an artist who is just starting out! So I asked Owen if I could interview him about it over iMessage. He said okay.
What was the first song you recorded for Tech?
“Typing.”
When did you know that this was going to be a concept album? How did you land on the idea of Tech?
At first I was just making songs about random stuff, but a little bit into recording it I noticed that all of the songs were about technology, so I just decided to make it a theme album.
Were you listening to any music during the recording of Tech that inspired you?
I was mostly inspired by Kraftwerk and Daft Punk.
How does a song begin for you? Do you start with a melody or a rhythm or lyrics? Where do you get your ideas for a song?
I like to just play around on the keyboard until I come up with a melody that sounds good, then I record that and add other stuff to it. Then I come up with a topic I want the song to be about and record lyrics on that topic.
You got Logic Pro for Christmas a few months before beginning this album — how did you learn Logic Pro so quickly? Previously, you’d recorded in GarageBand — did Logic Pro help expand the possibilities of what you were able to do on this album?
Logic Pro is pretty similar to GarageBand so I didn’t have to learn very much, but when I was confused I would just look up a YouTube tutorial on how to do something. Logic Pro did have more possibilities, mainly more sounds and a vocoder.
I almost think of the vocals on this album as another instrument, the way they blend in with the mix. How did you come up with the vocal sound?
So on Logic Pro there are some vocoder presets, and I play the vocals with each of those presets. When I find one that I like, I make the melody for the vocoder and add some EQ or a compressor if it makes it sound better.
One of the things I like about Tech is that there are songs about “cutting edge” technology, like “AI Buddy,” but there are also songs about older technology, like “Cards” or “Photos.” Do you ever make music with older technology, like acoustic instruments? Is there a difference between writing on something like the piano or in Logic Pro?
I don’t really make songs with older technology, however I do compose some of my songs on the piano. Yes, there is a difference between writing on the piano or Logic Pro, because usually when I record my songs I create the notes manually instead of playing them on the keyboard while recording. However, I do make exceptions sometimes—like on that line in “Television” or the entire melody of “Revolution.”
Tell me more about creating the notes manually — so you don’t play them on the keyboard? What does that look like in Logic Pro?
So I can open up a region and hold command to open up a pencil icon, where I can click to add notes. I can also drag the notes’ ends to change the length of them. Here’s a screenshot from “AI Buddy” demonstrating this:
That’s remarkable. Can you read normal musical notation?
I can read a bit of it, not very well though.
Have you taken music lessons or are you self-taught?
I’m self-taught. I took piano lessons one time long ago, for a week or two I think, but I don’t remember learning a lot from it.
For years I’ve said you should take piano lessons, but you’re obviously doing just fine on your own. What would you say to adults like me who think their kids need to take lessons before they make music?
Expose them to music a lot and play music with them, eventually they will learn. If they aren’t really making progress, maybe give them a bit of lessons. Honestly, I don’t really know.
You also compose music for video games. Is there a difference in your creative process when you’re composing for games versus writing songs?
I’d call them “unfinished attempts at making video games due to procrastination,” lol, all jokes aside, when I make that kind of music it’s kind of easier cause I don’t have to come up with lyrics, and I can make the song shorter because it would be looping [in the game].
You love to code and you love to make music. Do you see any similarities between the two?
Creativity and doing stuff with your hands.
If you didn’t have to go to school or do anything your parents told you to do, what would your perfect day look like?
I don’t know, I don’t really have a definition of a “perfect day.”
Fair enough. Alright, you finished up this album, which is excellent. What’s next for you? Are you going to do another album?
Definitely! Not sure if it’ll be an album or an EP though. It probably won’t be a theme album because it was hard coming up with song ideas for Tech.
Thanks for doing this. You okay with me sharing this on my blog?
Sure!
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You can listen to Tech in its entirety on Soundcloud.
A chat with Stephanie Zacharek and Dwight Garner
Stephanie Zacharek is the film critic at Time, and Dwight Garner is a book critic for The New York Times. They’re two of my favorite writers to read, so when I found out they were friends, I thought it would be fun to interview them together for the newsletter.
We had a good time talking about honesty in criticism, having a sense of humor, the writing process, our favorite books and movies, how to develop your personal taste, and much more.
You can watch the video or read the transcript in today’s newsletter. (You can also click the podcast options in the sidebar and listen to it.)
A few highlights, below…
Dwight on the importance of a sense of humor:
I agree with the great Australian-British critic Clive James, who said that a sense of humor is, I think he put it, “common sense, dancing.” Which I just love. You don’t trust someone without a sense of humor. Donald Trump — no sense of humor! You meet someone without one and… 9 times out of 10 I don’t trust or like writers who have no sense of humor. Every once in a while you get a Dostoevsky, who, you know, has his moments. Sheer power can win out. But I increasingly like to be made to smile when I’m reading. To me, that’s a sign of a first rate intellect. Critics want to deliver pleasure, right? All writers do. And humor is just part of that pleasure. Pleasure is an elevated thing to deliver, if you’re doing it right.
Stephanie on her favorite movie, The Lady Eve:
It’s funny, sometimes you go to a dinner party, and people are like, “Oh, you’re a movie critic, so what’s your favorite movie?” And other critics that I know, it’s like, “Oh, my God, I hate that question.” But I love that question! Because I always have a ready answer. And my answer is: The Lady Eve by Preston Sturges, which is a comedy. A lot of people might think, oh, no, I have to choose a really serious movie as my favorite movie. But The Lady Eve, not only is it funny and great in so many ways with fantastic performances by Barbara Stanwyck and Henry Fonda, but it’s actually about something very serious. This idea of looking at someone and thinking that you’re in love with that person and not seeing exactly what’s in front of you.
And Dwight on his commonplace book (which he turned into Garner’s Quotations):
I’ve kept it for so long now, it’s been transferred from print to various laptops. I sort of keep it obsessively. Everything I read, I end up writing things down from. I know, generally, I don’t like a book, if I end up putting nothing from it into my commonplace book. Not to every writer has to be pithy and perfect, but if I read a book, and I don’t want to put a single thing from it? And I keep all kinds of categories, I can open up to flying, social class, violence, war, sex, drugs, conversation, theater, music. I’m just obsessive about it…
It’s [in] Microsoft Word. And the files are so large that they get hung up and the beachball spins… They’re broken up. I’ve broken up Food, because Food is so big. I’ve broken up Drink, because Drink is so big. I’ve broken up Writing because writing breaks down into so many aspects of writing to talk about, right? But even the A-M and M-Z are just large and unwieldy. And I don’t know, it’s a boring topic, but… I take great pleasure in it!
I highly recommend reading or watching the whole thing here.
Sam Anderson on writing and drawing
For the fourth year in a row, the writer Sam Anderson and I got together to celebrate Michel de Montaigne’s birthday and talk about our work, our lives, and our love for writing and drawing:
SAM: The thing that unites good writing and good drawing — authentic writing and authentic drawing — is the exploratory line. I can tell when a drawing is the real thing for me because it contains surprise in it and it’s looking for something and you can see that happening in the work. And it’s so magical and ineffable… And the same with writing: it has to have that in it. And you know, I am like a super perfectionistic craftsman about my writing, but in a way that I think, at its best, reinforces that original sort of wandering, exploratory quality.
You can read the show notes and watch the whole conversation in the newsletter, or there’s a way to listen in your favorite podcast app!
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