Love this piece by Bob and Roberta Smith. “HBs are for architects” is the pencil trash talk I didn’t know I needed. (My wife has a master’s degree in architecture.)
Let the chips fall where they may
Well, here is a coincidence: after I blogged about the Richard Serra quote on coming to a Y in the road in Leonard Koren’s What Artists Do and how it reminded me of Robert Frost’s “The Road Not Taken,” I read further into the book and came across John F. Kennedy’s speech on the role of the artist in American life. He gave it in 1963 at Amherst College for the groundbreaking of a library named in honor of… Robert Frost. Not only that, but Koren notes that Kennedy quoted “The Road Not Taken” in his remarks:
All this requires the best of all of us. And therefore, I am proud to come to this College whose graduates have recognized this obligation and to say to those who are now
Two roads diverged in a wood, and I –
I took the one less traveled by,
And that has made all the difference.I hope that road will not be the less traveled by, and I hope your commitment to the great public interest in the years to come will be worthy of your long inheritance since your beginning.
And so, it seems, Kennedy, a big Frost fan (Frost supported him in the race against Nixon and spoke at his inauguration), sort of got the poem wrong, too, or at least just quoted the famous bit.
No matter. The rest of Kennedy speech is worth reading:
The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, a lover’s quarrel with the world….
If sometimes our great artists have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our Nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.
If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth. And as Mr. MacLeish once remarked of poets, there is nothing worse for our trade than to be in style. In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society–in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may.
Read the rest here, or listen to it, below:
Draw a picture of Batman
Here is how I think art works: If you’re depressed, draw a picture of Batman depressed. You’re still depressed, but now you have a picture of Batman.
UPDATE (9/26/2019):
When I was visiting my mom’s house, we found this drawing of Batman from when I was six-years-old.
Who RU2 Day?
Chuckled at this Carl Pope, Jr. piece I saw in the Who RU2 Day exhibit at the Cleveland Museum of Art today. Here it is in context (Love that Pope, Jr. demanded that the museum staple gun the letterpress posters to the wall):
I also love how Pope stole this dialogue from Casablanca:
I was there with the kids, so I gotta go back and spend some more time with it…
The residue of creativity
A few days ago, my friend Wendy MacNaughton (who has a terrific new column in the New York Times) posted this “Mistakes” jar, filled with eraser shavings “and tears.”
Einstein supposedly said that creativity is the residue of wasted time, but I think a lot about the residue of creativity. Sometimes that residue is a work of art, but more often than not, it’s a tiny trail of waste —debris, dust, shavings, clippings, trash, etc.
I love it when artists collect and display this residue. (Sometimes they even sell it.) One of my favorite parts of Edward Carey’s show at the Austin Public Library was a bowl of his pencils, used all the way to the stumps.
Years ago, I saw a show of book carver Brian Dettmer, and there was a box of his X-acto blades on a pedestal. (He estimates he goes through “15-50 blades a day, usually switching over to a new blade every ten minutes to half hour.”
In 2013, designer Craighton Berman ran a funny, tongue-in-cheek Kickstarter called “The Campaign for the Accurate Measurement of Creativity.” It included a “Sharpener Jar” — “a product designed to quantify creative output.”
Since I wrote Show Your Work! in 2013, I’ve been interested in how artists share their process, how social media allows you to share when there’s nothing, really, to share, and how sometimes the scraps and ephemera from our process can turn into their own attractions. (Above: Amanda Palmer’s sticky notes posted while working on The Art of Asking: “[I] was trying to find a way to share their colorful beauty without also revealing their content.”)
Oh, and while I’m riffing: “Butt Pattern,” from the #MTAMuseum (more here) is this idea of process-residue-as-art taken to its most extreme and funny conclusion.
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