1) If you give the same book to 100 people, they’ll read 100 different books.
2) We’re constantly changing, rewiring, shedding our old cells, so if you re-read a book, it will be a different book from the one you read before.
1) If you give the same book to 100 people, they’ll read 100 different books.
2) We’re constantly changing, rewiring, shedding our old cells, so if you re-read a book, it will be a different book from the one you read before.
A few things I thought a lot about while on the road touring behind Steal Like An Artist:
Look, if you’re lucky enough to have a publisher that sends you on book tour, they’re sending you out there to do one thing: sell books.
A lot of writers don’t like to think of the commerce side of what they do, and to them I say: look at the back cover of your book. See that fucking barcode? That’s a product. Products need to be sold.
You may not want to be in sales, but the quicker you can embrace the role, the more comfortable you’ll be, and the better you’ll get at it.
Unless you wrote a shitty book, you have something every salesman dreams of: a product you believe in. Don’t be shy. Sell the thing.
Here are some things you should be doing:
Carry-on: You can’t check bags when you’re on tour, because if you lose them, you are utterly and totally screwed. My wife got me one of these hybrid carry-on/garment bags for about $70, and it worked really well for me. I put my suit and good shirts in the garment bag half and everything else in the other half. It’s got a hard shell back, so it’s pretty durable, and I never had any trouble stuffing it in an overhead. (Don’t be one of those idiots with an oversized carry-on that never fits.)
Day bag: A day bag is a bag you carry with you everywhere. (You know, a man purse.) I decided on this tour to leave my laptop at home and travel only with an iPad, so I went with this TimBuk2 Freestyle Messenger bag. It’s pretty tiny, but it has tons of pockets, so I can fit all the essentials and I stay lightweight.
Here’s what was in it:
Travel is a lot easier when you only pack things that match and can be combined, and life on the road is way easier when you wear a uniform. Pick a uniform for your events and pick a uniform for travel and walking around the city. I never did more than 4 cities in a week, so here’s what I brought with me:
I was traveling in the spring, so not only did I pack the same thing for every week, I didn’t actually put anything away when I got home — I just threw the clothes in the wash, took my jacket to the dry cleaners, and repacked everything the same way I did the week before.
Let’s face it: an airplane is basically a flying petri dish.
I used to get sick almost every time I flew, so I was terrified of flying around half a dozen times a week for a couple of months. Then I came across Daniel Pink’s travel tips — they really saved my ass. Combining them with a little bit of my own research, I came up with a method that kept me from getting sick in over 20 cities in 2 months.
Here’s what you’ll need for my (somewhat insane) flying regimen:
Here’s how it goes:
Once I get through security with my (empty) water bottle, I find the nearest drinking fountain, then I dump a packet of Emergen-c in the bottle and fill it up with water.
In the bathroom before boarding, I sanitize my hands, then I coat the inside of my nostrils with Neosporin. This sounds disgusting. It is. I’ll let Dan Pink explain.
Once I get on the airplane:
Eat right: Best thing is to try not to eat at the airport. My favorite place on the road is Panera Bread. Their kid’s peanut butter and jelly and an apple serves any mealtime. If there was a Panera near my hotel, before I flew, I’d have them make me a couple of those and stuff them in my bag.
For emergencies, I always kept a bunch of trail mix and beef jerky in my carry-on for protein. If I was going to be in a city for a few days, I’d stop by a Whole Foods or a Trader Joe’s and buy a bag of apples.
If you need to find a good restaurant, use Yelp. When I use a little critical thinking (How many reviews? How old are they?) Yelp doesn’t let me down.
Sleep a lot: This one is tough. But basically, you need to keep your sleeping schedule as regular as possible. The way I did it was I tried to take as few naps as possible. I’d keep myself up all day, whether I was on a plane or walking around the city, and I’d make sure I was super tired when it was time to go to bed. I’d go to bed around 10 or 11 local time, no matter what time zone I was in.
Can’t get to sleep? Dan Pink recommends a Benadryl, ear plugs, and a copy of The Economist. Worked for me.
If you want people to show up to your events, you can’t just expect the venue or the sponsor or the bookstore to bring them in. Get your ass on Twitter, Facebook, your mailing list, etc. and let people know you’re coming. I sent out big reminders about the tour to all my channels in the beginning, and then I reminded people on Twitter and Facebook the week of and the day before. I had a surprising number of people come up to me at signings and say, “I didn’t know you were in town and saw it on Twitter and came over.”
Also: tell your friends you’re coming! Ask them to breakfast or drinks. So many of my internet friends became IRL friends on this tour. That made everything so much more worth it.
I got so incredibly sick of listening to myself talk when I was on tour. Every night, talking about me, me, me.
The antidote to the self-loathing that comes from talking about yourself constantly is listening. Turning the spotlight away from yourself and putting it on someone else. Richard Ford said, “When people realize they’re being listened to, they tell you things.”
When one of my escorts would pick me up from the airport, I’d ask them about their lives. “How long have you lived in Kansas City? How’d you get into escorting? Who’s the biggest asshole you’ve worked with?” I heard some amazing stories.
My wife is six months pregnant, so whenever I found out somebody was a parent, I’d ask them for parenting tips.
I always asked the security guy which line was moving faster.
I asked machines lots of questions, too. (If my normal rule is Google everything, my rule on the road is “Yelp everywhere.”)
Almost every major city has some sort of halfway decent art museum — I visited at least a dozen of them on this tour. When you’re doing night events, museums are usually open exactly when you need to kill some time: from 10 a.m. to 5:30 p.m. If you’re staying near downtown, the museum district is often pretty close by. They also usually have decent cafes for snacks.
(Stole this one from my agent, Ted.)
To borrow a sentence from Dan Savage, “Be good, giving, and game.”
Be good. You can’t say thank you enough. Thank everybody. Thank people for coming. Thank the book store for having you. Be pleasant. Smile. Don’t throw fits. Nobody gives a shit who you are or how tired you are. Be a human being.
Be giving. If somebody comes up and wants their book signed, shake their hand, ask their name, ask them what they’re up to. Spend a little time with them. Carry ones and tip well. Open doors for old ladies.
Be game. Be ready for anything. If the projector doesn’t work, grab a big pad of paper and draw your slides. Roll with it. If four people show up, go to the bar with them. (This happened.) If an escort knows a good BBQ joint that’s a little out of the way, skip the nap and see some of the city you’re visiting.
We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.
— T.S. Eliot, Four Quartets
When you get home, kiss your wife, hug your dog, and try to see the place as if for the first time.
From today’s newsletter:
On Instagram, a reader asked me in response to my collages: “How do you balance making fun stuff with doing business? Do you allocate time to simpl[y] make ‘pointless’ things?” I scribbled the image above into my notebook in response, and then I got so worked up thinking about the topic that I scribbled this followup, which I’ve edited slightly:
Read more: Five things on my mind (and in my notebook)
My next book is called Don’t Call It Art.
It’s a creative liberation handbook inspired by what I learned from being a studio assistant to my two creative kids.
The title is stolen from something the artist John Baldessari said:
“I learned so much about art from watching a kid draw…. Kids don’t call it art when they’re throwing things around, drawing—they’re just doing stuff.”
The book won’t come out until 2026.
In the meantime, I’ll be writing about the process and sharing behind-the-scenes stuff in my newsletter.
In Tuesday’s newsletter, I wrote about my four notebooks:
Before I get started, I want to say that this is my system, and I do not necessarily recommend it to others! Writing is my job, so it would make sense that I’d have a bunch of notebooks. My intention with this letter is to be descriptive not prescriptive.
If you’re interested in starting a notebook habit, I encourage you to just buy a notebook or The Steal Like an Artist Journal and write or draw in it every day.
I do not endorse any brands, but if you’d like to try out what I’m currently using here are links to my logbook, pocket notebook, commonplace diary, and diary.
I write in them with all kinds of pens — I’ve got a big list on my gear page.
Here’s a little teaser I posted to Instagram:
One of the things I try to emphasize is that writing is my job. I don’t think everybody should keep a notebook, and I don’t care if everybody keeps a notebook. Let alone four notebooks! People ask, so this is what I do.
You can read the whole newsletter here.
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