1) If you give the same book to 100 people, they’ll read 100 different books.
2) We’re constantly changing, rewiring, shedding our old cells, so if you re-read a book, it will be a different book from the one you read before.
1) If you give the same book to 100 people, they’ll read 100 different books.
2) We’re constantly changing, rewiring, shedding our old cells, so if you re-read a book, it will be a different book from the one you read before.
A few things I thought a lot about while on the road touring behind Steal Like An Artist:
Look, if you’re lucky enough to have a publisher that sends you on book tour, they’re sending you out there to do one thing: sell books.
A lot of writers don’t like to think of the commerce side of what they do, and to them I say: look at the back cover of your book. See that fucking barcode? That’s a product. Products need to be sold.
You may not want to be in sales, but the quicker you can embrace the role, the more comfortable you’ll be, and the better you’ll get at it.
Unless you wrote a shitty book, you have something every salesman dreams of: a product you believe in. Don’t be shy. Sell the thing.
Here are some things you should be doing:
Carry-on: You can’t check bags when you’re on tour, because if you lose them, you are utterly and totally screwed. My wife got me one of these hybrid carry-on/garment bags for about $70, and it worked really well for me. I put my suit and good shirts in the garment bag half and everything else in the other half. It’s got a hard shell back, so it’s pretty durable, and I never had any trouble stuffing it in an overhead. (Don’t be one of those idiots with an oversized carry-on that never fits.)
Day bag: A day bag is a bag you carry with you everywhere. (You know, a man purse.) I decided on this tour to leave my laptop at home and travel only with an iPad, so I went with this TimBuk2 Freestyle Messenger bag. It’s pretty tiny, but it has tons of pockets, so I can fit all the essentials and I stay lightweight.
Here’s what was in it:
Travel is a lot easier when you only pack things that match and can be combined, and life on the road is way easier when you wear a uniform. Pick a uniform for your events and pick a uniform for travel and walking around the city. I never did more than 4 cities in a week, so here’s what I brought with me:
I was traveling in the spring, so not only did I pack the same thing for every week, I didn’t actually put anything away when I got home — I just threw the clothes in the wash, took my jacket to the dry cleaners, and repacked everything the same way I did the week before.
Let’s face it: an airplane is basically a flying petri dish.
I used to get sick almost every time I flew, so I was terrified of flying around half a dozen times a week for a couple of months. Then I came across Daniel Pink’s travel tips — they really saved my ass. Combining them with a little bit of my own research, I came up with a method that kept me from getting sick in over 20 cities in 2 months.
Here’s what you’ll need for my (somewhat insane) flying regimen:
Here’s how it goes:
Once I get through security with my (empty) water bottle, I find the nearest drinking fountain, then I dump a packet of Emergen-c in the bottle and fill it up with water.
In the bathroom before boarding, I sanitize my hands, then I coat the inside of my nostrils with Neosporin. This sounds disgusting. It is. I’ll let Dan Pink explain.
Once I get on the airplane:
Eat right: Best thing is to try not to eat at the airport. My favorite place on the road is Panera Bread. Their kid’s peanut butter and jelly and an apple serves any mealtime. If there was a Panera near my hotel, before I flew, I’d have them make me a couple of those and stuff them in my bag.
For emergencies, I always kept a bunch of trail mix and beef jerky in my carry-on for protein. If I was going to be in a city for a few days, I’d stop by a Whole Foods or a Trader Joe’s and buy a bag of apples.
If you need to find a good restaurant, use Yelp. When I use a little critical thinking (How many reviews? How old are they?) Yelp doesn’t let me down.
Sleep a lot: This one is tough. But basically, you need to keep your sleeping schedule as regular as possible. The way I did it was I tried to take as few naps as possible. I’d keep myself up all day, whether I was on a plane or walking around the city, and I’d make sure I was super tired when it was time to go to bed. I’d go to bed around 10 or 11 local time, no matter what time zone I was in.
Can’t get to sleep? Dan Pink recommends a Benadryl, ear plugs, and a copy of The Economist. Worked for me.
If you want people to show up to your events, you can’t just expect the venue or the sponsor or the bookstore to bring them in. Get your ass on Twitter, Facebook, your mailing list, etc. and let people know you’re coming. I sent out big reminders about the tour to all my channels in the beginning, and then I reminded people on Twitter and Facebook the week of and the day before. I had a surprising number of people come up to me at signings and say, “I didn’t know you were in town and saw it on Twitter and came over.”
Also: tell your friends you’re coming! Ask them to breakfast or drinks. So many of my internet friends became IRL friends on this tour. That made everything so much more worth it.
I got so incredibly sick of listening to myself talk when I was on tour. Every night, talking about me, me, me.
The antidote to the self-loathing that comes from talking about yourself constantly is listening. Turning the spotlight away from yourself and putting it on someone else. Richard Ford said, “When people realize they’re being listened to, they tell you things.”
When one of my escorts would pick me up from the airport, I’d ask them about their lives. “How long have you lived in Kansas City? How’d you get into escorting? Who’s the biggest asshole you’ve worked with?” I heard some amazing stories.
My wife is six months pregnant, so whenever I found out somebody was a parent, I’d ask them for parenting tips.
I always asked the security guy which line was moving faster.
I asked machines lots of questions, too. (If my normal rule is Google everything, my rule on the road is “Yelp everywhere.”)
Almost every major city has some sort of halfway decent art museum — I visited at least a dozen of them on this tour. When you’re doing night events, museums are usually open exactly when you need to kill some time: from 10 a.m. to 5:30 p.m. If you’re staying near downtown, the museum district is often pretty close by. They also usually have decent cafes for snacks.
(Stole this one from my agent, Ted.)
To borrow a sentence from Dan Savage, “Be good, giving, and game.”
Be good. You can’t say thank you enough. Thank everybody. Thank people for coming. Thank the book store for having you. Be pleasant. Smile. Don’t throw fits. Nobody gives a shit who you are or how tired you are. Be a human being.
Be giving. If somebody comes up and wants their book signed, shake their hand, ask their name, ask them what they’re up to. Spend a little time with them. Carry ones and tip well. Open doors for old ladies.
Be game. Be ready for anything. If the projector doesn’t work, grab a big pad of paper and draw your slides. Roll with it. If four people show up, go to the bar with them. (This happened.) If an escort knows a good BBQ joint that’s a little out of the way, skip the nap and see some of the city you’re visiting.
We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.
— T.S. Eliot, Four Quartets
When you get home, kiss your wife, hug your dog, and try to see the place as if for the first time.
The last few newsletters have shown off how obsessed I’ve become with printmaking — I can’t seem to stop!
From “All is not well (but some things are”:
“Not everything will be okay but some things will.” Years ago, I saw that phrase on a slide at the end of a Maira Kalman talk. It has stuck with me. I wanted to put my own spin on it, so I made a block print with the words, “All is not well (but some things are.)” I was looking for material to print it on, and settled on a few thrifted copies of Kenneth Clark’s Civilisation.
I made these prints after writing today’s newsletter, “The subtle art of showing up”:
I get several forms of the question, “What good is making art in times like these?”
There are many decent answers, but the one that rings truest to me, I think, comes from art coach Beth Pickens: “Artists are people who are profoundly compelled to make their creative work, and when they are distanced from their practice, their life quality suffers.”
If I don’t show up for creative work, I suffer. I’m not a whole person. If I don’t show up to the studio, it’s harder for me to show up for the people in my life.
And, really, that’s all, sometimes, you have to do: just show up.
I’m getting many “what are you going to do with all these prints?!?” questions… so that might be the subject of next week’s newsletter…
After I got back from New Orleans a few weeks ago we launched right into spring break mode, and pretty much all I wanted to do was listen to dub reggae and make block prints.
In a Tuesday mailbag, “The point of this world,” I wrote quite a bit about music:
Music is a form of transportation. A joy in the past year has been the way our vacations with the boys have synced up with a particular kind of music — every time I hear Yellow Magic Orchestra, for example, I’m back driving around in the deserts of New Mexico. Whenever I want to be driving around Oahu, I put on our Oahu mixtape.
On Friday, I shared some images of a print I made: “Be the weird you wish to see.”
There are terrible things happening in the world, but you can’t let it rob you of getting joy out of your day-to-day living while you can. One thing that never fails me: Stepping away from the screen and leaving the house. This week I found some major treasure on one of our daily walks. I took my kids to a baseball game. I shopped for records and art supplies and chatted with strangers. I know I’ve said it over and over and over again but I’ll say it again: the more I make an effort to engage locally with my neighborhood and my city, the better I feel about life.
A bunch of folks asked me how I do it, so I shared “an unofficial guide to block printing”:
I want to emphasize that I am a total amateur at this stuff, and I will miss a bunch that you can learn elsewhere in tutorials by more qualified people. That said, I wrote a whole section in Show Your Work! about how there’s a lot of value in learning from beginners. Because beginners have only recently figured stuff out, they know what a beginner needs to know better than an expert does…
And tomorrow’s newsletter starts out with an animation made with a bunch of the block prints I made for Tuesday’s posts.
This is how the newsletter comes together: just one thing leading into another.
From today’s newsletter:
On Instagram, a reader asked me in response to my collages: “How do you balance making fun stuff with doing business? Do you allocate time to simpl[y] make ‘pointless’ things?” I scribbled the image above into my notebook in response, and then I got so worked up thinking about the topic that I scribbled this followup, which I’ve edited slightly:
Read more: Five things on my mind (and in my notebook)
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