I FINALLY got to see White Denim (my favorite Austin, TX band) last night at Antone’s. They were just as awesome as I’d expected. Forgot my sketchbook, so I came home and made this little doodle from memory. You gotta go see these guys!
ANDREW BIRD AUSTIN CITY LIMITS TAPING
We took a break from SXSW on Wednesday and went to the KLRU studios to see Andrew Bird tape an amazing set for Austin City Limits. If you don’t count the Squirrel Nut Zippers, I first saw Bird solo in Columbus in 2004, opening for the Magnetic Fields (he totally stole the show). I’ve now seen him three times. You must see this man live! Drew these after two or three free beers…
SXSW 2009 DRAWINGS
SXSW 2009 is over, and I am exhausted. Below are some of my highlights. Go to my SXSW 2009 Flickr Set to see more drawings.
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45365
This was simply the best thing I saw at SXSW. A couple of brothers (really nice guys, too) made a documentary about their small town in Ohio. Check it out.
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The Future of Visual Storytelling is Interactive (Or is it?) panel
Somebody get @philstuart to post his diagrams of interactive story structure (see the flow-chart-ish part of the drawing), b/c they are freaking brilliant!
Phil finally uploaded the diagrams!
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Shift Happens: Moving from Words to Pictures
I had the good fortune to spend time with everyone on this panel at SXSW, and they’re all great, smart people. @sunnibrown @davegray @danroam @leelefever @thcrawford
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RIP! A Remix Manifesto
Documentary about copyright and Greg Gillis (aka Girl Talk). Great stuff.
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Objectified
From the director of Helvetica.
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From Blog To Book Deal: How-To
Certainly the most animated panel I went to. And I finally got to chat with Hugh Macleod a bit beforehand.
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Thanks to @marquessaid for this photo of me in action:
See more drawings in my SXSW 2009 Flickr Set, including a caricature of Richard Linklayter, a cartoon of waiting in line, some drawings of Mirah during her awesome Domy Books set, and some special Indexed cards Jessica Hagy drew me!
Read more of my SXSW-related posts on the tumblelog.
Like this stuff? Be sure to check out Mike Rohde’s sketchnotes and Sunni Brown’s live keynote drawings.
TEXAS, ELSEWHERE
Texans are a lot like Catholics: it’s the converts who are the most fervent believers…
BILLY BOB THORNTON
I headed over to KLRU’s studio 6A this afternoon to watch a Texas Monthly Talks taping of Evan Smith interviewing Billy Bob Thornton. Thornton was funny, smart, and down-to-earth.
He said that he spent most of his childhood on the road and playing in bands, and that although he grew up in Arkansas and lives in California, Austin is like a second home to him. “This is where my heart is. I mean, I know the street people here.”
He bristled at the idea that he was an actor dabbling in music: “I’m a musician who makes movies.”
He said that it’s easy to blame studios and producers in Hollywood for the quantity of bad movies out there, but we also “have to blame ourselves. If we buy crap, they’ll keep feeding it to us.”
And when it comes to making those movies? “Well, I gotta do one every once in a while to pay for the house, you know?”
He hasn’t directed a movie since All The Pretty Horses, a movie the studio demanded an hour be cut from and rescored. He expressed interest in showing the uncut 3-hour version with the original score by Daniel Lanois! (SXSW 2010?)
On his drunk scenes in Bad Santa: “When you do a movie like that you gotta go all the way. And being a method actor…”
At one point while discussing Sling Blade, he said, “Here let me show you something.” He put down his head, raised it slowly, and transformed into the character of Karl Childers for about 15 seconds. It was fantastic, and everyone cheered.
Here’s a sketch of a random dude from the audience who was fun to draw:
Big thanks to Sara Robertson, who gave me a little tour of the KLRU studios afterwards. Let me tell you: KLRU is a great station, and everybody I met there was super nice and if you live in Austin you should support them with as much dough as you can spare.
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