Elmore Leonard said, “Writer’s block just means you got up from your desk.”
My 2025 (so far)
A few weeks ago I shared 10 things that’ve made my 2025 (so far):
8. How AI slop is making us think about what it means to be human and make art. The more I read about AI, the more it solidifies my feeling that image-making and writing are at their most meaningful — to the artist and to the audience — when they involve the head, the heart, and the hand. As I said in an interview back in April, “I try to bring the hand into almost everything I do, because the hand knows as much as the head does.”
I also shared my 10 favorite reads 2025 (so far):
The year, by the way, is 60% over.
Typewriter interview with Liana Finck
The latest participant in my series of typewriter interviews is writer Liana Finck.
Chlorine (a mixtape)

Here’s another new monthly mixtape to play by the pool. I made several changes as I went. I swapped the sides (originally side A started with Barbara Mason and B started with Tommy James) and I changed the ending, swapping Mac Demarco’s “Salad Days” and Chuck Berry’s “Havana Moon” with a reggae cover of “Summer Breeze” and Doris Troy’s brilliant demo released as a single, “Just One Look.”
I made the mixtape from a sealed, pre-recorded cassette I got for 99 cents at the record store. I taped over the cassette’s protection tabs and then I taped over the music and then I taped over the artwork.
You can listen to the mix on Spotify, Apple Music, or YouTube.
Filed under: mixtapes
Old books are time machines
Today’s newsletter was inspired by the response of Cressida Cowell, author of How To Train Your Dragon, to the NYTimes Book Review’s question, “You’re organizing a dinner party. Which three writers, dead or alive, do you invite?”
Shakespeare, George Eliot and Homer, if such a person ever existed (it’s a bit contentious, that one). You have to invite the dead ones. Although one of the many wonderful things about reading is that this is what you are already doing. You are having a dinner party with people who died, sometimes hundreds or even thousands of years ago, and whose voices and feelings and intelligence and opinions are all captured in the extraordinarily brilliant and irreplaceable technology that is a book. Now that really is magic.
Auden called this “breaking bread with the dead.”
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