
Here are some drawings I included in my newsletter about the joy of reading artist interviews.

UPDATE 12/13/23: And here’s a 3rd:


Here are some drawings I included in my newsletter about the joy of reading artist interviews.

UPDATE 12/13/23: And here’s a 3rd:

Today’s newsletter is full of good stuff.

Here are some diary doodles I drew from my notes on Jungian analyst James Hollis’s 1993 book, The Middle Passage: From Misery to Meaning in Mid-Life. (I included them in my letter about Charlie Bucket’s mid-life crisis, “Quitting The Chocolate Factory.”)
After I shared these it was pointed out to me that Ted Lasso spies the book on the table in his therapist’s apartment (S02E08):


Today’s list of 10 newsletter begins:
My primary adventure this week has been going through a stack of 45RPM singlesthat someone in my neighborhood left out in the Texas heat. Remarkably, a few survived. (Here’s a Spotify playlist.) One of my favorite surviving 45s was Pete Drake’s “Forever.” I’d never heard of him, but he played pedal steel on a ton of records. (My favorite is probably Bob Dylan’s John Wesley Harding.) He also played steel on George Harrison’s All Things Must Pass, and during a break in recording, he showed another studio musician named Peter Frampton his device that makes a guitar sound like it’s talking.
Read the rest here.
This site participates in the Amazon Affiliates program, the proceeds of which keep it free for anyone to read.