In Tuesday’s newsletter, I wrote about how there are very few collage problems that can’t be solved with a photocopier.
@austinkleon Collage problems #collage
? original sound – Austin Kleon
In Tuesday’s newsletter, I wrote about how there are very few collage problems that can’t be solved with a photocopier.
@austinkleon Collage problems #collage
? original sound – Austin Kleon
An entry from 12/3/1961 in Susan Sontag’s journals. (via)
The writer must be four people:
1) The nut, the obsédé
2) The moron
3) The stylist
4) The critic1 supplies the material; 2 lets it come out; 3 is taste; 4 is intelligence.
A great writer has all 4 but you can still be a good writer with only 1 and 2; they’re most important.
See also: The four energies
Here is a sign I saw on yesterday’s ride through the Johnson Creek Trail here in Austin.
I thought of the poet Rumi, who wrote: “Sell your cleverness and buy bewilderment.”
@austinkleon A message from my favorite sign
My riding partner is traveling, so I’ve been taking slow, solo rides.
Wandering the streets (and trails) with a wandering mind.
Getting somewhere I didn’t know I was going — that’s the goal, in rides like these, and in making art.
Here is another sign I saw on my way home:
Filed under: signs
I recorded this message a few years ago at the beginning of the pandemic, based on some pages from Steal Like An Artist:
The classroom is a wonderful, if artificial, place: Your professor gets paid to pay attention to your ideas, and your classmates are paying to pay attention to your ideas. Never again in your life will you have such a captive audience.
Soon after, you learn that most of the world doesn’t necessarily care about what you think. It sounds harsh, but it’s true. As the writer Steven Pressfield says, “It’s not that people are mean or cruel, they’re just busy.”
This is actually a good thing, because you want attention only after you’re doing really good work. There’s no pressure when you’re unknown. You can do what you want. Experiment. Do things just for the fun of it. When you’re unknown, there’s nothing to distract you from getting better. No public image to manage. No huge paycheck on the line. No stockholders. No e-mails from your agent. No hangers-on.
You’ll never get that freedom back again once people start paying you attention, and especially not once they start paying you money.
Enjoy your obscurity while it lasts.
If you need a last-minute graduation gift, might I suggest the new 10th anniversary edition of Steal and maybe a gift subscription to my newsletter?
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