Can’t see the video? Watch it here?
When I was in San Francisco, the folks at Google recorded a version of my Steal talk for their Authors at Google series.
Last week I had the new-to-me-and-slightly-surreal experience of being on three local TV shows — in Phoenix, they did something out of the ordinary: they asked me to draw! The producer found a room with a wall-sized chalkboard, and I talked about Steal Like An Artist while drawing some of the concepts in the book in chalk, and the team later edited the clip and sped up the tape to show me drawing. The effect is really cool:
Polaroid via The Impossible Year
At SXSW Saturday afternoon Kirby Ferguson and I showed clips from his video series Everything Is A Remix and then had a conversation about creativity, influence, and theft. I collected some of the tweets, photos, and other reactions, and
there’s already a video online of the whole 55 minutes. (I think SXSW requested that video be taken down, but they have audio of the conversation online.)
Maybe best of all, a small army of visual note-takers were there sketching. Here are notes from Craighton Berman:
It was a helluva turnout — some folks couldn’t even get in and had to listen outside. (So sorry about that, y’all!)
Thanks so so much to everyone who showed up!
Christopher Hitchens said that “the great thing about writing a book is that it brings you into contact with people whose opinions you should have canvassed before you ever pressed pen to paper. They write to you. They telephone you. They give you things to read that you should have read already. [Putting out a book is] a free education that goes on for a lifetime.”
Last month I got an email from Mike at The Encyclopedia Show Austin, telling me about Censored Mother Goose Rhymes—a charming little book featured in the Ransom Center’s excellent “Banned, Burned, Seized, and Censored” exhibit.
Published in 1929 by a writer and editor named Kenneth Banning, it was dedicated to “THE CENSORS who have taught us how to read naughty meanings into harmless words” and was supposed to be a demonstration “of the effect of censorship upon anything it touches.” If I’m not mistaken, it was even passed out to congressmen in the middle of the censorship debates.
It’s a very very funny book.
Anyways, Mike asked me if I’d do something with the book, and while I almost never read my poems publicly, I think this book is even better read aloud, so, with the help of my iPhone, I read a few at the show.
To close out 2011, writer and artist Austin Kleon discusses the myriad of ways he works to end the messy divorce between words and pictures.
Here’s a 30-minute interview I did with Jeremy Fuksa of The Cocktail Napkin, talking about Newspaper Blackout, Steal Like An Artist, and doing stuff online. (You can get it as an audio podcast—thank God—so you don’t have to look at my ugly face the whole time…)
– Signed and numbered edition of 50
– 26″ x 40″ on 100 pound paper
The minute I saw the GBV posters that my friends Satch Grimley and Jaime Cervantes screenprinted, I knew I wanted to collaborate with them on a big Newspaper Blackout print. We batted around a few ideas, came up with a design we liked, and I brought my camera down to Red Bluff Studio on Saturday and filmed them working their magic.
The fellas will be printing at the Art Authority during SXSW, so if you’re in town next month for the festival, be sure to check them out!
That’s right: 5 hours! Mike told me you get about a minute of footage for every hour you shoot. Mike’s very good at pitching questions in the interview so that the subject ends up narrating the piece:
Here’s a bonus shot of Milo (who has a cameo in the piece) sniffing the camera equipment:
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