
My latest typewriter interviews are with two cartoonists — one is a fully-drawn and pithy eye feast from Adam Koford, and the other a surprisingly wordy meal from Kevin Huizenga:


My latest typewriter interviews are with two cartoonists — one is a fully-drawn and pithy eye feast from Adam Koford, and the other a surprisingly wordy meal from Kevin Huizenga:


A near-Herculean feat of transcription, if I do say so! Read it here.
An author is never more vulnerable than when they have a book coming out, so I’ll often reach out to their publicists and snag them for an interview. In this case, the publicist reached out to me, and I’m very glad she did, because I’ve been a fan of Julia’s for a long time, and her answers are just as beautiful as her work.
I also love how she described the project on her Instagram:
“How cool that I got to be part of @austinkleon ‘s Typewriter Interview series. It comes through snail mail and you need to answer on the same papers and mail it back. I was so worried about making a creative family tree and I avoided it until the end. But ultimately it gave me a chance to look hard at what my biggest influences have been from childhood (the ground) to now (the branches). What a great exercise. (I realize I left some people off by mistake- esp Jason Polan)…”
It’s also a bonus when the interviewee is adept at using a scanner — Julia emailed me the images and I was able to post this one while on vacation! (The originals have reached me via snail mail since then and are now safe and sound in my files.)

Artist and filmmaker Erik Winkowski’s “Zinemail No. 1” and “Zinemail No. 2” (and now “Zinemail No. 3”) are some of the most interesting uses of the Substack platform I’ve ever seen, so I asked him if he’d do a typewriter interview. It’s wonderful.

My latest typewriter interview is with cartoonist James Kochalka. It’s fun and light and exactly like his comics.

James has long been an inspiration to me — in the P.S. I mention that James’ sketchbook comic American Elf was on my list of 7 books that helped me learn from my kids. I learned from James the other day that collections of the strip are totally out-of-print — not even available digitally! This is mind-boggling to me, but the publishing industry is what it is. (James runs new strips on his Patreon. My own personal archive can be viewed on my “american elf” Tumblr tag.)

Another fun meta way James and I are connected: I used his book The Cute Manifesto (also out-of-print) as the “dummy” book I made for Steal Like an Artist.

I also own one of James’ “Tiny Paintings.” Meg bought it for me a couple decades ago when we lived in Cleveland. It’s about the only snow I see on a regular basis in Texas…
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