Made to order
I am never more nervous than when I hand my wife a new manuscript, and I am never more relieved than when she says she likes it. She’s my first reader (first everything, really) and if I can write something that she really likes, I feel I’m a success no matter what.
Of course, I’m thrilled when anybody else likes the work. This week I got word that the mayor of Chattanooga, Tennessee started a book club and made Steal Like An Artist the first book up for discussion.
It’s wonderful but also a tiny bit unnerving how that book, which I wrote when I was 28 years old (I’ll be 35 this June), keeps having such a life of its own. I’d thought of Steal/Show as the Robin Hood duology — first you steal, then you share — and I didn’t see how it could go any further than that. But it’s clear now that I’m writing what is obviously the last book in a trilogy. It’s always more complicated when people have expectations, and it’s always a challenge to tie things up in a satisfying way, but I’m really excited about this book. It feels right to me. And long overdue.
The future we want
Grow old
A few hours after I made this blackout, my mom texted me something my grandma said to her earlier today: “Being old is terrible, but I sure had a lot of fun getting here.”
Shelf life
“Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer’s head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.”
—Margaret Atwood
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