Words from James Kochalka, courtesy of Dan Stafford’s hand-written interviews with cartoonists:
Here’s a cool post from Tom Kealey about writing and the importance of play.
Words from James Kochalka, courtesy of Dan Stafford’s hand-written interviews with cartoonists:
Here’s a cool post from Tom Kealey about writing and the importance of play.
Many thanks to Gerry for pointing out the work of Dan Perjovschi — a Romanian cartoonist who draws on walls for his huge installations. He just had a show at MOMA that has website with all kinds of goodies, including videos of him creating. You can read Gerry’s interview with Dan and his wife, here.
I’ve been doing some research lately into visiting Romania — especially the town of Alba Julia in Transylvania, where my ancestors are from. (Here is a gorgeous Flickr set of Transylvania by a man named Daniel Wellman.)
Anyways, if anyone knows of some good books on Romanian art, history, travel, etc., I’m all ears.
I got this cool e-mail from Liza Cowan, a Vermont artist, director of the Pine Street Art Works gallery in Burlington, and regular blog reader:
I’ve been reading your blackout poems avidly, and trying and trying to find a postcard I made in 1981. It was kind of a blackout poem except that instead of showing all the black areas, i just took the words or word fragments and re-typed them, using a font as close to the original as I could find. Mind you, this was before personal computers. My rule was that the words or fragments had to be in the same order as the original. I probably have a copy of the original catalogue but I’m not sure where. I do remember that “She” came from “Sherwin Williams” I think it is the only word fragment.
I did the card as a part of Jerri Allen’s Apron Project. My text source was a Sherwin Williams Paint catalogue from 1939. That was also the image source. I processed the image with a Mita 900D copier, which I happened to own at the time, because I lived an hour’s drive from the nearest public copy machine (I kid you not!) Then I added a quote from Robert Graves, The Greek Myths. I published the card under my own imprint, White Mare, Inc.
It’s all on the back of the postcard.
Good Grief, I had to look everywhere to find this one scrap of paper. Thank goodness I found the one remaining copy!
I mentioned how impressed I was by Liza’s elaborate pre-Photoshop method, and she said, “Not only was it before photoshop, it was before any design program. I had the words typeset, and used letraset film for the background. And did cut and paste for the composition. It all seemed very modern then.”
Today the Independent ran a story listing the best illustrators in Britain, and two of my favorite artists, Stanley Donwood and Tom Gauld, were right at the top. Funny enough, I don’t really consider either of them illustrators…
Stanley Donwood
More of a fine artist than illustrator, Stanley Donwood, 38, created the artwork for Radiohead’s album sleeves. The man himself is not one naturally drawn to the limelight. For years, the only way to contact him was to fax his local pub in Bath, from whence any communication would be forwarded to him. Much of Donwood’s work delights in rediscovering antiquated processes. A recent series of images, London Views, created a panorama of the capital out of 14 pieces of hand-cut linoleum, printed on a Victorian printing press. His latest work, If You Lived Here You’d Be Home By Now (recently shown at the Lazarides Gallery in London’s Soho), comprises a series of darkly compelling etchings that used the century-old photogravure technique.
Tom Gauld
Tom Gauld is a 30-year-old illustrator and comic book artist who lives and works in London. With Simone Lia, whom he met while studying at the Royal College of Art, Gauld publishes a series of delightful, poignant comics under the imprint Cabanon Press. His subject matter is a long way from the superhero deeds that many associate with the genre, retaining a very British reserve that grounds the extraordinary in the everyday. Just check out his treatment for the cover of a special Penguin edition of Alexandre Dumas’ The Three Musketeers (pictured above). His commissioned illustrations have appeared in The Guardian, Time Out, New Scientist and Prospect.
Has anyone read Cathy Malkasian’s Percy Gloom? New York Magazine ran an excerpt, and I am intrigued:
Also, Chris Oliveros at D+Q posted another page of Lynda Barry’s upcoming “What It Is”:
Beautiful stuff!
Just in case anyone else is interested in my other favorite female cartoonists: Renee French, Julie Doucet, Hope Larson, Alison Bechdel, Roz Chast, Lilli Carré, and Jessica Abel. I probably left a ton out, but those are the ones I can think of.
Who are your favorites?
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