Search Results for: notebook
NOVA/PBS: WHAT ARE DREAMS?
The folks at PBS asked me to be a guest blogger for their “Remotely Connected” blog. I blogged about the upcoming NOVA episode, “What Are Dreams?”
Read my post at the Remotely Connected blog, or below:
“I like to sleep so I can tune in and see what’s happening in that big show. People say we sleep a third of our lives away, why I’d rather dream than sit around bleakly with bores in “real” life. My dreams…are fantastically real movies of what’s actually going on anyway. Other dream-record keepers include all the poets I know.”
– Jack Kerouac
Like all artists since the beginning of time, I’ve looked to dreams for inspiration.
I started writing down my dreams as a teenager, after I got my hands on Jack Kerouac’s Book of Dreams–dreams he collected by scribbling in his notebook the minute he woke from sleep.
Later on in college, I studied just enough psychology to learn that the creative process mirrors the dreaming process. As the film director David Mamet says in his book On Directing Film, “The dream and the film are the juxtaposition of images in order to answer a question.” Not only can the dream provide us with material, but the process of dreaming itself can provide us with inspiration towards a process of working.
Any artist will tell you that when the work is going really well, it’s as if you’re taking dictation. The characters speak because they want to speak. The act of art-making is an attempt to fall into a kind of dream state. We do this by abandoning the linear and the logical for the non-linear and the free-associative. This is when creativity happens.
After watching this NOVA episode, I pulled out my pen and crayons and attempted to digest what I had seen through drawing–juxtaposing images in space. It was not unlike dreaming, watching the images come out of my hand…
TOOLS
Derek writes in,
I am very new to drawing and wondered if there are any pens that you would recommend…
I don’t recommend any particular drawing tools, because I think tools are very personal and idiosyncratic–I mean, the tools that work for one artist might not work for another. One of my artist friends won’t draw with anything more than a .5mm mechanical pencil. I, on the other hand, don’t like to draw with anything less bold than a 1mm gel pen.
Regardless, here’s a list of what I carry around in my bag:
- Miquelrius 300 page flexible notebook
I can never decide on gridded vs. blank. Blank makes for prettier drawings, but gridded is great for taking notes. - Pentel Pocket Brush Pen
- Sharpie Fine Point Marker
- Pilot G2 Gel Pen (1.0mm BOLD)
- 8-pack of Crayola crayons
The tools change, based on the occasion: when I go out with my wife to a movie or a concert, I carry a Sharpie or a gel pen and a stack of index cards.
Feel free to share your own favorite notebooks/drawing tools for Derek in the comments!
DRAWING ON SHEETS (INSTEAD OF SKETCHBOOKS)
Edward Tufte care package
I’ve thought recently about abandoning sketchbooks in favor of single sheets of paper, index cards, legal pads, and binders: sketchbooks are convenient for carrying around, but they’re really hard to scan, and they don’t afford remixing or reshuffling pages. I want to make little books that are more like collages, without destroying the pages by using adhesive on them. I just need a little portfolio with plastic pages…something like what Lynda Barry has in this picture. Or like this. I could also just do the three-ring binder with page protectors. Any suggestions?
I’m thinking about this because Michelle Malott wrote in and asked me what kind of paper I used for my mind maps. My usual reply would be, “Whatever’s around,” but recently I’ve been a big fan of Edward Tufte’s graph paper he sells on his website. It’s acid-free, really nice and smooth, and has a “ghost” grid on it, which makes it easy to lay things out. I’ve been using the regular 8 1/2 x 11 sheets, saving up the 11 x 17 sheets for something really awesome.
You can see the results from my last two maps:
Tufte sent me a big batch of the paper after seeing my Beautiful Evidence and Envisioning Information maps. Tufte’s a “hero thinker” of mine, so it was a thrill to get mail from him. Come to think of it, I’ve had good luck getting mail from my heroes. Love how classy this little card is:
If you don’t know his work, you should.
RESIDUE
res-i-due
noun
a substance that remains after a process such as combustion or evaporation
These are the back and front covers of the notebook I carried around to make, record (see my calendar and checklist), and store all of my blackout poems. I used the back cover (above) to absorb all the marker bleed, and it still reeks from the fumes of hundreds of poems.
The front cover says, “If it isn’t play, what good is it?” and has a quote from Henri Cartier-Bresson:
…we deal in things that are continually vanishing…and when they have vanished, there is no contrivance on Earth that can make them come back again…
For photography, this is true: if you don’t snap the shutter at the right time, the moment has vanished.
For blackouts, it’s similar—mark over the wrong word, and it’s gone forever—but also different: as for moments in life that have vanished, blackout poems are the “contrivance” that can make them come back again.
William Burroughs claimed that cut-ups were a form of time-travel, and it’s no coincidence that the second poem in my book is about instructions for a time machine.
I’ve spent the last six months dipping into the pensieve. Now it’s time to move forward, think about the future. Discover the the next project.
How do you fill the empty nest?
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