Search Results for: log book
FIND ME AT SXSW!
My SXSW sketching bag…ready to go. See my drawings from last year.
SXSW starts Friday. If you’re in town for the conference, here’s where you can find me:.
- Sunday, March 14 @ 11:00PM, I’ll be doing 10-minute mentor sessions with folks on blogging and publicity. You can sign up here.
- Monday, March 15 @ 3:30PM, Visual Note-Taking 101 – this is my panel with my friends Dave Gray, Mike Rohde, and Sunni Brown. You should NOT miss this, as we have a really special surprise for people who show up. Really special. Something you can take with you…
- At 5:50PM, on Monday,
barring any postal disastersI’ll be doing my first ever signing of Newspaper Blackout at the SXSW bookstore! That’s right: come get the book before it’s in stores! Super-pumped about this.(Note: might not show up on the bookstore schedule, since we’re shipping them last-minute.)
- Tuesday, March 16 @3:00 PM, I’m interviewing Ian Albinson & Alex Ulloa of The Art of The Title for Studio SX
- At 9:00PM on Tuesday I’ll be part of a panel over at Stagira Studios on the relationship between art and money, with my friends John T. Unger and Hugh MacLeod.
Phew! Of course, I’ll be roaming around, hitting up a ton of panels, films, and music acts. (I have a platinum badge this year.)
You can see my schedules online (although I’ve resorted to planning on sticky notes):
http://my.sxsw.com/user/schedule/austinkleon
http://sitby.us/austinkleon/
If you want to meet up, @reply me on Twitter (@austinkleon). I’ll also be trying out these GoWalla and FourSquare thingies…I’ll be carrying around a bunch of cool postcards for the book, so come find me.
If you have a tip for something I just have to see, or you want to invite me to a party, leave it in the comments!
And of course, if you’re not going to the festival, follow me on Twitter, Tumblr, and Flickr: thanks to the magic iPhone, I’ll be posting photos of my notes and drawings throughout the week.
TEDxAUSTIN ON STICKY NOTES
[ Watch a high-quality HD version on Vimeo ]
I was invited to draw TEDxAustin this weekend. I was skeptical about an event that was so secretive about its contents beforehand, but it far exceeded my expectations. It was well-planned, well-executed, and had a stellar lineup of speakers. I bumped into lots of great people and had some good conversations. Kudos to the team, and thanks to my buddy Sunni Brown for the invite!
The theme of the day was “Play Big,” so I decided to do something special: I drew the background stage and the studio in my sketchbook, then drew the speakers on sticky notes. I wasn’t sure what I was going to with all the drawings, and then the idea of making a video popped into my head. The video was shot with my Aiptek HD camcorder and cobbled together in QuickTime Pro on my slow-as-molasses Mac Mini. Watch the results. (Be sure to click HD!)
Favorites? As someone who hates answering the question, “What do you do?,” Steven Tomlinson’s talk about keeping all your interests in play really hit home. I also loved Carrie Contey’s talk on the power of the pause. John Philip Santos had some terrific images in his talk on genealogical genetics. Both the musical acts, Ruby Jane and John Pointer, were really impressive.
If written notes are your thing, John Lebkowsky has some great ones.
Here’s a photo that Shane Guiter took of me during a break (annotations mine):
See scans of all the sticky note drawings after the jump or on Flickr.
OLD MEDIA / OLD NEWS SHOW IN ST. LOUIS
Those of you who live in or near St. Louis: there will be an art show featuring some digital projections of my blackout poems at The Luminary Center for the Arts starting with an opening reception tomorrow, Saturday, January 30th from 6PM-9PM. The show runs until March 27th.
Unfortunately, I won’t be at the opening reception. Plane tickets ain’t cheap, and with the book coming out soon, I have to save up my travel funds. It’s too bad, because some of my favorite creative fellas live there: Dave Gray, Bill Keaggy, Dan Zettwoch, Kevin Huizenga…it’s a town with a bunch of good brains in it, and I’ve always wanted to visit.
Maybe next time. If you go, take an iPhone snap for me and send it my way.
THE BUILDER AND THE KEEPER: A FEW THOUGHTS ON WEB DESIGN
I don’t blog much about my web design work, because as Bob Dylan sang in “The Hurricane,”
Its my work…and I do it for pay
And when its over I’d just as soon go on my way
I spend 8 hours a day in a cubicle designing websites, so the last thing I want to do when I come home is work on more websites or blog about web design.
Consider this an exception.
Building websites is not my passion. My passion is spreading ideas. Designing information in a way that gets it quickly into your brain.
For me, websites are means to an end. A website can only be as interesting as the content contained within it. That’s why there are beautiful sites that mean nothing, and that’s why there are all kinds of crappy-looking, crappy-functioning websites out there that do just fine: because the content kicks ass. (If you’re at all interested, check out Kristina Halvorson on “The Discipline of Content Strategy.”)
I try to make sure that all my design starts with the content — this is really hard to do in a company or a college or any other big, bureaucratic setting, because most folks have no idea what they’re trying to do or say with a website. All they know is they need a website, and it needs to have flashy video and pretty pictures. But what about the content? I ask. What are you saying? Who are you talking to? What do you want to happen?
Sites like my friend Curtis Miller’s (I built this site for him last year) are much easier, because the content is clear: the paintings and drawings and prints. The goal is getting eyeballs on them.
Curt’s work is big, intricate, and colorful, so I didn’t want to bother fussing with the web design too much — all we needed was to get images of Curt’s work online with as little distraction as possible. Too often artist websites feature fancy Flash slideshows (which makes them unusable on iPhones), no descriptive text (so Google has no way to index the pages), no permalinks so that people can link to their favorite work, and worst of all, no RSS feed so fans can keep up with their new work and upcoming events.
All that is solved here by using WordPress. I built off of the Starkers theme and the 960 grid system to make a site for Curt that felt more like a traditional artist portfolio, but offered all the goodies and functionality of a blog.
For me, web design is more math than art: the content is X, and I solve the problem around that variable. I start with some kind of constraint, make a couple of calculations, set up a grid, and doodle in my sketchbook:
Once I have the sketches, I start on the code. And tweak and tweak until it’s done.
And once it’s done, I hand it over. I give it to Curt and it’s up to him what he wants to do with it. As pretty as the site might be at the handoff, it’s at the mercy of whatever content he chooses to put up there.
Since I think of myself first and foremost as a writer, this ultimately ends up as an unsatisfying transaction for me. It’s like if you wrote someone a story, but only handed them the outline and the first paragraph. The story isn’t finished. It’s just begun. Where does it go?
How does the site evolve? Who uses it?
I don’t know. I just built the damned thing.
Lots of people say web design is like architecture (I personally like to think of it as cartography), so if it fails, it fails for all the reasons that architecture does: the architect designs for the grand opening, for the ribbon cutting. The people ooh and ah over the shiny new materials, the architect shakes hands, and collects his check. How the building settles over the years, how the inhabitants use the space as their needs change…what does he care? He’s on to the next project.
The ultimate scenario would be if each building had a builder and a keeper, and the builder and the keeper were the same person.
Like my dad’s barn: he built it so that he could use it. He is the builder and the keeper. When he needs the building to do something else, he adds on to it. When he needed a place to store his hay, he built a hay mow. When he needed a place to hang out, he built a tack room.
Which is why I love this website so much. I built it four or five years ago. When I need a page for my new book, I build one. If I need a storefront, I build one.
I am the builder and the keeper.
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