Search Results for: blackout poem

TIME Magazine Names Newspaper Blackout a Must-See Tumblr Blog

Monday, January 30, 2012

30 Must-See Tumblr Blogs | NewsFeed | TIME.com

His redacted masterpieces have won him both a book deal and a line of art prints sold through online gallery 20×200. The focus of his Tumblr, however, is his fans. Anyone with a marker, a newspaper and a little creativity can submit to the site. The result is a kind of free-form word search, with people providing one-liners that range from funny to enigmatic to genuinely thought-provoking. Whether or not you consider it actual poetry, it’s definitely not a bad way to recycle your morning paper.

Thanks very much to TIME readers who recommended the site and to all who’ve submitted poems in the last couple of years. Strangely enough, the site is almost exactly 2 years old! I knew there should be a site where people could submit their own poems, but I was waiting around for the right platform to come along. Luckily, a few months before the book came out, Tumblr started allowing users to submit posts. And that was that. Today the site has over 25,000 readers.

I’m still accepting poems, so feel free to send me yours: NewspaperBlackout.com→

BLACKOUT POETRY WORKSHOPS AT THE DALLAS MUSEUM OF ART

Friday, June 24, 2011

I had the pleasure of leading a couple of blackout poetry workshops at the Dallas Museum of Art last weekend. It’s still a huge thrill for me to see a whole room full of people of all ages and backgrounds making art in the same space. I’ve found that folks really don’t need much instruction—they just need materials, some space, some time, and permission to play.

On Saturday, I led an all-teen workshop of 15 students. We worked on poems, and then we went into the galleries to soak up some inspiration. I showed them some pieces I liked and talked about how I look at art in museums and how I look at art in general. One thing I said to them is that it’s one thing to feel something about a piece of art, it’s another thing completely to be able to express it in words. Sometimes you can’t explain why you like a piece, and that’s okay.

I carried an iPad around with me, and as we were looking at the work, I’d pull up a few of my blackout poems to talk about the work in context. At a Mondrian, I talked about color and grids. In sculpture, we talked about subtraction. Etc.

In the Reves collection, which displays the Reves’ collection as it was originally displayed at their villa, I talked about my experiences with 20×200 and collecting art, and how art doesn’t just hang in a museum—it’s something you live with in your everyday life.