I usually don’t make art specifically for the newsletter, but I needed a top image for today’s edition, so I cut out Words from ads in the April 1935 issue of National Geographic.
Read the newsletter: “Verbify!”
I usually don’t make art specifically for the newsletter, but I needed a top image for today’s edition, so I cut out Words from ads in the April 1935 issue of National Geographic.
Read the newsletter: “Verbify!”
First, off: “verbify” is a word. It means what it sounds like: use something as a verb.
In 2015, the late comedian Norm Macdonald tweeted about the time he met Bob Dylan.
According to Macdonald, they talked about all kinds of stuff, like their favorite books of the Bible. (Norm said he liked Job, Bob said he liked Ecclesiastes.)
At one point, Macdonald said, “I remember he talked over and over about verbs and about ‘verbifying’, how anything could be ‘verbified.’”
The writer Tony Conniff wrote a piece about Dylan’s use of verbs and used “Tangled Up in Blue” as an example:
They drove that car as far as they could
Abandoned it out West
Split up on a dark sad night
Both agreeing it was bestShe turned around to look at him
As he was walkin’ away
She said this can’t be the end
“We’ll meet again someday on the avenue”Tangled Up In Blue
“So much of the story,” Conniff writes, “is in the rich, vivid, and active verbs. It’s something you can find in almost any Dylan song.”
Of course, it ain’t like no other songwriter has ever talked about verbs before.
“When you’re writing a song,” said Chuck Berry, “nouns and verbs will carry you right through.”
UPDATE (9/20/2024): A reader sent me this Calvin & Hobbes cartoon about “verbing”:
Filed under: Verbs.
Today is the release of Amos Paul Kennedy, Jr.’s monograph Citizen Printer.
In the foreword to the book, I write:
Kennedy’s work is evidence of the head, the heart, and the hands together at play. His is a physical process, done by a human body in time and space with the real materials of ink and chipboard and wood and machinery, pressing them all together into something new. In this digital age, it’s inspiring to see someone using their digits. Among the many images in this book that bring me joy, my favorite might be the photograph of his ink-stained hands… To hold a thing in my hands that he’s made with his hands makes me want to make things with my hands.
You can read the whole foreword in today’s newsletter, “A Man of Letters.”
One of the diary-like joys of the Friday newsletter is getting to sit down after a week and figure out if the things in my life have been speaking to each other in any particular way.
Usually, the week is a miscellany — if not cacophony — but often a theme appears.
That theme this week is “collective creativity,” brought about by reading about Prince, jazz, and the work of being in a band. It’s a dense one, and good, I think.
Today’s newsletter was about my shelves of diaries in the studio and my practice of keeping a stack of “on this day” diaries I can re-read when I have a spare minute: “Same but different.”
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