Yet another movie I drew at SXSW 2009 is streaming online for free: RIP! A REMIX MANIFESTO, a documentary about Girl Talk, fair use, and remix culture. Head over to Pitchfork.TV this week to watch it.
45365
If you read this before the end of tonight, you can watch 45365—the best movie I saw at SXSW 2009—for free online at Hulu.
A couple of brothers from Sidney, Ohio (really nice guys, too) made a documentary about their small hometown. I grew up not far from Sidney, and I can tell you it’s the most honest and moving portrait of home that I’ve seen.
These are a couple sketches I made during the movie and the Q&A a few months back.
HOME DEPOT
HOW TO DRAW FACES
Shot this little video at lunch on my Iphone and posted it to Twitter. I came up with the little exercise for my Vizthink Viznotes webinar. Folks seemed to dig it, so I’m posting it here.
The Iphone continues to inspire me with possibilities. Ideas spread to a thousand people…instantly.
Instant publication.
The best part of all? It can be quick and dirty. People forgive quality. Heck, they’re probably watching the thing on their phone…so why not shoot it on your phone?
THE WICHITA IS DEAD
See also: “I Am So Over The Rainbow“
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I broke down and bought an Iphone yesterday.
Like any tool, first you get it, then you figure out what to do with it.
If you follow me on Twitter, you saw the following 3 images today, all taken real-time with the Iphone camera and posted online with Twitpic (#1, #2, #3) while I was making the poem.
When does the poem become the poem? When you make that first connection? (Here, it was linking “dead. Now what?” and “Wichita” and then finding “ding” in “including”.) When it’s completely blacked out, “set in stone”? What about leaving behind evidence that could point to other, better poems? Does seeing the process kill the magic?
All questions that popped in my head. Also: what else could we do with this?
What about crowd-sourcing? What if I got stuck on a poem, took a picture of the article, and asked Twitter what my next step should be? Who would the poem belong to?
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