My poem, “Summer In Texas,” was recently featured in The Lifted Brow, a biannual journal in Australia. I got my contributor copy yesterday, and it’s a really nice book — full of good writers, artists, and musicians (it comes with 2 CDs.) Check it out.
FATHERS
iphone camera + iRetouch + TiltShiftGenerator. See more de-Signs.
AUSTIN PECHA KUCHA NIGHT #7
Tonight I’ll be giving a slideshow about Newspaper Blackout as part of Austin Pecha Kucha night #7. Sneak preview of my slides, above.
PechaKucha Night was devised in Tokyo in February 2003 as an event for young designers to meet, network, and show their work in public. It has turned into a massive celebration, with events happening in hundreds of cities around the world, inspiring creatives worldwide. Drawing its name from the Japanese term for the sound of “chit chat”, it rests on a presentation format that is based on a simple idea: 20 images x 20 seconds. It’s a format that makes presentations concise, and keeps things moving at a rapid pace.
At the last Austin event, they had hundreds and hundreds of people, and I heard they even had to turn some folks away, but tonight It’s gonna be in a big empty retail space at 416 W. Cesar Chavez, so everyone should be able to get in. The doors open at 7:30pm, presentations start at 8:20 pm. There’s beer. No cover, only donations.
Come by, listen to some cool folks talk about their work, and pick up a postcard!
THE BEST WIFE IN TOWN
PHOTOS OF THE OLD MEDIA / OLD NEWS SHOW IN ST. LOUIS
Brea McAnally was kind enough to send me some pictures of my work in the “Old Media/Old News” exhibit at The Luminary Center for the Arts in St. Louis.
The show has been getting some really good reviews, which makes me even sadder that I won’t be able to see it in person. Here’s the Riverfront Times:
Yesterday’s headlines are re-presented in traditional (old) media by a group of local and international artists in this inventive elegy to the death of print journalism. Idiosyncratic, methodical processes seek to replace or reclaim the generative grind of tangible print….Writer Austin Kleon uses a Sharpie to black out the majority of text on a page, suggesting that what’s left reveals poetic insight into otherwise prosaic reportage….Fact, here, becomes marginalia, while emotional and personal experiences surface as all that’s most articulate, memorable or worth remembering.
More pictures, some lifted from The Luminary’s Facebook page:
If any of you St. Louis folks still haven’t seen it, it’s open until March!
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