
Definitely the wildest entry in the typewriter interview series so far: 10 questions for cartoonist Marc Bell.

Definitely the wildest entry in the typewriter interview series so far: 10 questions for cartoonist Marc Bell.

From my letter, “Analog Mailbag”:
From time to time, my friend Warren Craghead sends me drawings on postcards in the mail. One day I decided to put one of Warren’s postcards at the center of a tape and magazine collage. Then I did it again. Pretty soon I had a little series going, but I got distracted working on other things. Luckily, Warren keeps sending me postcards. Now I’ve got a good stack of them ready to keep the series going.
I used the image above for my letter, “Spring Reverb,” and then I stripped the frame out of another collage and filled it with animated bluebonnets for “Flowers from Texas.”
Here’s the original:


In Tuesday’s newsletter, I wrote about the comfort of a Rubik’s Cube:
When so many of life’s problems are unsolvable, solvable problems are a wonderful distraction. When so many things seem unfixable, fixing something feels amazing.
I forgot to shout-out Bernard Suits in The Grasshopper: Games, Life and Utopia:
“Playing a game is the voluntary attempt to overcome unnecessary obstacles.”
As I wrote in my letter “Unnecessary obstacles”:
[That quote is] a favorite of philosopher C. Thi Nguyen, whose new book The Score: How To Stop Playing Somebody Else’s Game both thrilled and exasperated me. I’m still processing it, and I’m sure I’ll have more to say about it later, but for now I’ll just say: I think it’s such a pleasure to see an academic write in a conversational voice and swing for the fences with a book that appeals to a general audience. “All of my hobbies involve basically micro-dosing epiphanies,” he says, and it’s hard not to love a writer who’s so passionate and articulate about his pasttimes. (See: my letter, “Your hobby looks exhausting!”)
I read so much about play and games while I was writing Don’t Call It Art, but a lot of it didn’t wind up showing up. Writing is weird!

I originally dropped this mix in my “The Return of Spring!” letter and forgot to post it here.
I got one side of a cassette perfectly filled with no gaps… and the tape broke. So I had to pivot to a blank C90 cassette. Then I (re)discovered that many 90-minute cassettes are actually more like 95-minute cassettes, because the manufacturers added a few extra minutes to each side. So this half-finished mixtape — one side of the cassette — is 47 minutes and 17 seconds long. (I probably won’t actually finish it, I’ll just do what we used to do in the old days and record a whole album on the other side.)
You can listen on Spotify, Apple Music, or YouTube.

Filed under: mixtapes

I used this drawing by Jules (age 3 or 4 at the time) in my latest letter, “How I get into something new.”
One reader said, “I LOVE Jules’ drawing! That overshadowed everything I just read!”
The comment made me laugh, because that really was the first impulse for what became Don’t Call It Art, all those years ago: I just felt like what the kids was doing was so much more interesting than anything I was doing.
Jean Michel Basquiat once said in an interview, “I like kids’ work more than work by real artists any day.”
(That quote is in chapter 8.)
Sometimes I really can’t stand waiting on a book to be released into the world. Lingering in The Gulp.
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