A collage for my mom on her birthday. Happy birthday, Mom!
Drawings from Pop-Up Magazine
Here are some drawings done in the dark during a Pop-Up Magazine show last weekend. My favorites were, no surprise, two of my favorite artists: Esther Pearl Watson and Liana Finck. (Both of whom I finally got to meet!)
Drawing is often talked about by drawers like me as this ultimate tool for capturing and processing life, but when does drawing pull us out of an experience rather than pull us into it? When does drawing cause us to pay less attention rather than more?
I used to do these kinds of live drawings all the time, and now I find them terribly distracting.
Years ago, when I went to live events, I wanted so badly to be onstage myself that I think I felt drawing was a way of pulling some of that spotlight towards me. Sure, it was a form of sharing, but it was also a “Look at me” kind of thing.
Drawing at performances was itself a kind of performance.
Now that I’m onstage all the time, I want to be offstage. I want to sink into the audience and disappear into the experience. I want to honor the performer by giving them my full attention.
Not sure I can do this while drawing!
Saturday morning cartoons
A Saturday morning with elementary school-aged kids: These drawings were drawn before 8:30 a.m. (Made a couple blind contours, too.)
My questions for writers
When I first started writing the thing I most wanted to know from other writers was: “How did you get published?”
Then, it was: “How do you write?”
Now, it’s: “How do you read?”
All reasonable questions, but I should’ve asked them in the opposite order.
(And, always: “How do you get health insurance?”)
The Hawk (a comics diary)
“The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life.”
—Helen Macdonald, H Is for Hawk
Here is a picture of the hawk. And:
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