Lots of people said they weren’t able to get their hands on this zine during Indie Bookstore Day, so I posted the full text in last week’s Tuesday newsletter.
Here’s a preview of the first half:
Read the rest in the newsletter.
Notes on the art of reading books.
Instapaper triage
Alan Jacobs on how he uses Instapaper:
Whenever I see something online that I think I want to read, I put it in Instapaper — and then I try to leave it for a while. Often when I visit Instapaper the chief thing I do is delete the pieces I only had thought I needed to read. So for me it’s not just a read-later service, it’s a don’t-read-later service. But that only works if I don’t go there too often. I try to catch up with my Instapaper queue once a week at most.
Stealing this move.
Fore-edge painting and indexing
The outside edge of a book’s pages opposite of the spine is called the “fore-edge.” Like many things that are neglected or overlooked, it’s a place of great creative potential. Check out this video with fore-edge painter Martin Frost:
I don’t usually do all that much with the fore-edges of my books, except for my notebooks, which I sometimes index by rubbing ink or pencil over the page edges of some sections and labelling them. (See the logbook above.)
Most recently it occurred to me that I could use fore-edge indexing as a way to track the structure of a book. I was reading a book and it was going splendidly and then all the sudden I got bogged down. I suspected it had something to do with pacing and chapter length. So I did a fore-edge index and soon I had visual evidence of my suspicion: swelling chapters broke up the flow. (I could probably find similar evidence based on where I happened to dog-ear a page.)
This might be a good exercise for writers: make a fore-edge index of some of your favorite books, and see how they are structured and paced. For books that alternate narratives or subjects, you can use different colors. (See above.)
Filed under: marginalia
Read Like an Artist Zine + Independent Bookstore Day 2022 events
To celebrate Independent Bookstore Day 2022 and the 10th anniversary of the Steal Like an Artist, my publisher Workman and I produced a free 12-page glossy zine called “Read Like an Artist,” with 10 tips for a better life with books.
Here is a very short list of the bookstores who ordered a ton (250+) of copies:
- Books and Mortar, Grand Rapids, MI
- Skylark Bookshop, Columbia, MO
- Highland Books, Brevard, NC
- Mojo Books & Records, Tampa, FL
- hello again books, Cocoa, FL
- Books Around the Corner, Gresham, OR
- Commonplace Reader, Yardley, PA
- Afterwords Books, Edwardsville, IL
- The Bookstore of Glen Ellyn, Glen Ellyn, IL
- Sweet Reads Books, Austin, MN
- Octavia Books, New Orleans, LA
- Aesops Fable, Holliston, MA
- Next Page Books & Nosh, Frisco, CO
- Reads & Company in Phoenixville, PA
- Round Table Bookstore in Topeka, KS
- The Magic of Books Bookstore, Seymour, IN
There are literally hundreds of bookstores participating, so check with your favorite local indie to see if they got copies!
If you live in Austin, Texas or nearby, on Saturday, April 30, I’ll be at two of my favorite bookstores here in town, signing and drawing in my books and hand-selling my favorites.
10AM-12PM – I’ll be at Bookpeople, our flagship store in town. Get there early — they should have around 100 zines.
2PM-4PM – I’ll be at Black Pearl Books, my hyper-local neighborhood shop. They’ll have about 25 zines, so they might be out by the time I show up.
Our friends at Bookwoman should have about 100 copies, too, so that might actually be your best bet for snagging one in the 512 area code. (If you’re down south, I just found out that Reverie Books has a handful, too.)
For updates, subscribe to my newsletter.
Scott McCloud’s Understanding Comics
My May pick for our Read Like an Artist book club is one of my all-time favorites and a bonafide classic: Scott McCloud’s Understanding Comics.
Here’s my intro:
This a comic book about comic books. But it’s also much more than that: using the medium of comics, Scott McCloud explains a whole world of visual communication and teaches lessons that apply to anyone working in any kind of visual medium. To quote Art Spiegelman, the “simple-looking tome deconstructs the secret language of comics while casually revealing secrets of time, space, art and the cosmos!” Originally published in the early 90s, this book has become a contemporary classic, and is in my top 10 all-time influential books on my own practice. Even if you’re not at all interested in comics, I promise that you will learn something from McCloud. And who knows? It might even open up a whole genre for you. I love this book because after you read it, you see the whole world differently.
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