If a book makes me want to keep reading, it’s the right book.
If a book makes me want to start writing, it’s the right book.
Any other book is not the right book. (Right now.)

Notes on the art of reading books.
If a book makes me want to keep reading, it’s the right book.
If a book makes me want to start writing, it’s the right book.
Any other book is not the right book. (Right now.)
Why wait until the end of the year? I shared 5 good books I read this winter, so here are 5 good books I read this spring (and bonus reads):
The Library Book
Susan Orlean
I am a former librarian who read this on a flight from Cleveland to Los Angeles, so it was pretty much the perfect book at the perfect time. A real page-turner. Orlean knows what she’s doing. (Another good LA book, not a page-turner, but a page-lingerer: Christoph Niemann’s Hopes and Dreams.)
Less
Andrew Sean Greer
How great is it when an acclaimed book turns out to be worthy of the hype? I laughed all the way through this book and then I cried at the end. (Another great novel, one I re-read: Charles Portis’s True Grit.)
How To Do Nothing
Jenny Odell
When I came across the original talk I knew this was going to be a good book, but I liked it even more than I thought it would. (Another book about attention I knew was going to be good based on the original Medium post: Rob Walker’s The Art of Noticing. I’d also throw in Bruno Munari’s Drawing a Tree, which I loved even more upon re-reading.)
The Three Robbers
Tomi Ungerer
My 4-year-old got obsessed with this book, and I got obsessed with it and with Ungerer. (Other great graphic tales [but not for kids]: Tillie Walden’s On A Sunbeam and Jaime Hernandez’s excellent comic, The Love Bunglers and the followup, Is This How You See Me?)
Essays Over Eighty
Donald Hall
“Maybe we’ll soon have a new literary category, Old Adult, to match Young Adult,” wrote John Wilson, in his review of Hall’s posthumous collection of essays, A Carnival of Losses: Notes Nearing Ninety. I’d be so down for that.
Okay, back to reading. Get more reading recommendations in my weekly newsletter, or browse the past decade of my favorite books.
“I always read a lot. I read the same amount, no matter what season it is. I read every night. When I’m on book tour, I’m on airplanes all the time, so I’m always reading. People say, ‘How do you have time to read?’ Oh, come on, it’s simple! You’re single and you don’t watch television.”
—John Waters
“How do you make time for that?” can almost always be answered with, “I make time for that.”
Still, here are 5 things that have helped me read more, and might help you, too:
“I believe that the phrase ‘obligatory reading’ is a contradiction in terms; reading should not be obligatory… If a book bores you, leave it; don’t read it because it is famous, don’t read it because it is modern, don’t read a book because it is old…. If a book is tedious to you, don’t read it; that book was not written for you.”
—Jorge Luis Borges“Nobody is going to get any points in heaven by slogging their way through a book they aren’t enjoying but think they ought to read.”
—Nancy Pearl“There is only one way to read, which is to browse in libraries and bookshops, picking up books that attract you, reading only those, dropping them when they bore you, skipping the parts that drag — and never, never reading anything because you feel you ought, or because it is part of a trend or a movement. Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty — and vice-versa. Don’t read a book out of its right time for you.”
—Doris Lessing, The Golden Notebook
If you aren’t getting anything out of a book, put it down, and pick up another book.
Every hour you spend inching through a boring book is an hour you could’ve spent plowing through a brilliant one.
When it comes to books, quitters finish more.
Sometimes a book just isn’t for you, or it’s not for you yet.
It helps if you choose the right books in the first place. Stop reading what you think you should be reading and just read what you genuinely want to read. Read what you love and read at whim.
“Because I was carrying the book around all the time, I pulled it out all the time: On the subway, walking down the block to get groceries…”
—Clive Thompson, “Reading War and Peace on my iPhone”
Get used to carrying a book around with you wherever you go and reaching for it in all the spare moments you’d usually pull out your phone. (Commutes, lunch breaks, grocery store lines, etc.)
Go to bed early and bring your book with you. If you fall asleep while reading, pick it back up when you wake and read for a bit before you get out of bed.
Always have a book queued next in line for when you finish the current book you’re reading.
Feel free to read promiscuously — date 3 or 4 books at the same time until one makes you want to settle down with it.
I am partial to carrying paper books and reading with a pencil, but I also love my e-reader, and a smartphone is undeniably handy, if you can avoid social media and the internet.
Which brings us to our next point.
“Reading is socially accepted disassociation. You flip a switch and you’re not there anymore. It’s better than heroin. More effective and cheaper and legal.”
—Mary Karr
A big part of reading is visiting other worlds, and you can’t visit another world if you’re constantly distracted by this one.
If you’re gonna read on your phone, switch it into airplane mode so you’re not even tempted to go online.
When you sit down to read a paper book, either put your phone in airplane mode, or plug your phone in across the room so you’re not tempted to reach for it.
Get a paper dictionary, so when you read at home or in the office, you don’t have to pull out your phone to look up words.
“You must go to the library and fall in love.”
—Ray Bradbury
I find a lot of great books through friends and online and through my own reading, but there’s nothing quite like the “serendipity of the stacks,” the magical discoveries that often happen when you’re browsing in a library or a bookstore.
If distraction is terrible for book reading, it’s great for book discovering. You never know what you’ll bump into in the stacks. You go hunting for a book and you find an even better book shelved a few books down from it.
I frequent the “New” and “Recently Returned” shelves at my local library and sometimes I’ll even snoop to see what people have on hold on the reserve shelves.
Nothing beats a well-curated selection in a great indie bookstore. It’s glorious to spend an afternoon shopping at Bookpeople or Powell’s or The Strand or any number of the great stores I’ve had the pleasure to visit on book tour.
“Read the books you love, tell people about authors you like, and don’t worry about it.”
—Neil Gaiman
Keep track of what you read, whether it’s in a private notebook or on a site like Goodreads. (Take inspiration from Art Garfunkel, who has a list of every book he’s read since 1968.)
Share the books you love in whatever way you can. (Every week, I share what I’m reading in my weekly newsletter, and every year, I make a list of my favorite reads.)
The great thing about sharing your favorite books is that you meet other people who love those books, and they’ll share with you even more books to love.
Take notes, and let the books stack up. Gigantic book piles aren’t a sign you’re doing it wrong, they’re a sign that you’re doing it right.
* * *
If you need something to read, check out my newest book, Keep Going.
Why wait until the end of the year? Here are 5 really good books I’ve read so far this winter:
The Labyrinth
Saul Steinberg
First published in 1960. Out of print for years. Now beautifully reissued by NYRB. (Are they my favorite imprint? Maybe.) Incredible, 59-year-old drawings that look absolutely fresh. An American classic.
Bowlaway
Elizabeth McCracken
I don’t read as many novels as I probably should, and this is a novel novel. McCracken goes for it, doing in the book what, I think, only a novel can do. And damn, can she write a sentence. So many underlines. (Related post: “The religion of walking.”)
Let’s Go (So We Can Get Back)
Jeff Tweedy
I don’t really listen to audiobooks (they don’t fit into my commute-less life), but I got my hands on this one, and used it for company while shoveling snow. Except for the “aw shucks, can’t believe I’m writin’ a book” intro (come on, man), I found it really warm and smart. A bunch of good stuff about the creative process and parenting. (Related post: “On solitude and being who you are”)
Lost in the Cosmos: The Last Self-Help Book
Walker Percy
Seems like a love-it-or-hate-it book, but I tore through it. One of those books that came at just the right place and just the right time for me. (Related reading: “Walker Percy’s problems of re-entry”)
Werner Herzog: A Guide for the Perplexed
Werner Herzog with Paul Cronin
A 500-page interview arranged to cover Herzog’s career in chronological order. This book took me forever to get through, not because it was a slog, but because it’s so dense with insane stories and poetic insights, I was constantly stopping to underline. (Related reading: “Werner Herzog on writing and reading”)
Okay, back to reading. Get more reading recommendations in my weekly newsletter, or browse the past decade of my favorite books.
I picked up Werner Herzog: A Guide for the Perplexed a week or so ago, and it’s taking me forever to read because 1) it’s 500 pages long and I’m slow, and 2) it’s so dense with insane stories and great wisdom about creative work that I’m constantly stopping to underline sentences.
He describes himself as an autodidact, who “never felt comfortable in school” and “never trusted teachers”:
I’ve always been more interested in teaching myself. If I want to explore something, I never think about attending a class; I do the reading on my own or seek out experts for conversations. Everything we’re forced to learn at school we quickly forget, but the things we set out to learn ourselves — to quench a thirst — are never forgotten, and inevitably become an important part of our existence.
“When he was in school,” his mother says, “Werner never learned anything. He never read the books he was supposed to read, he never studied, he never knew what he was supposed to know, it seemed.”
But over and over, in the book, and in other interviews, he has one unwavering piece of advice for filmmakers: “Read.”
Read, read, read, read, read. Those who read own the world; those who immerse themselves in the Internet or watch too much television lose it. If you don’t read, you will never be a filmmaker. Our civilization is suffering profound wounds because of the wholesale abandonment of reading by contemporary society.
He gives his Rogue Film School students a “mandatory” reading list and he brings two books with him on film shoots: Martin Luther’s translation of the Bible and Livy’s account of the Second Punic War. (“The Book of Job acts as consolation, Livy gives me courage.”)
He talks a lot about approaching his screenplays with a literary sensibility, often abandoning traditional structure for prose descriptions of scenes. He’s convinced that Conquest of the Useless, his diary of making Fitzcarraldo, will outlive all of his films. “I suspect that my true voice emerges more clearly through prose than cinema,” he says. “I might be a better writer than I am a filmmaker.”
It is a really terrific book.
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