In today’s newsletter — free for everyone to read! — is the story of how Steal Like an Artist came into the world.
You think I’m especially not a genius?

jeen-yuhs: A Kanye Trilogy is way too long and not critical enough of its subject — Sasha Frere-Jones called it “a four hour timesuck” — but I loved this scene with Rhymefest, which had the same energy of this great scene in Wes Anderson’s The Royal Tenenbaums…

Related reading: “Fevered Egos.”
Say yes and never do it

There’s a great bit in Mel Brooks’ memoir All About Me about how to deal with bosses with bad ideas: “Always agree with them, but never do a thing they say.”
He put it a bit more colorfully in an interview with Michael Shulman in The New Yorker:
You have some wonderful stories of basically getting away with stuff at the studios.
I’d learned one very simple trick: say yes. Simply say yes. Like Joseph E. Levine, on “The Producers,” said, “The curly-haired guy—he’s funny looking. Fire him.” He wanted me to fire Gene Wilder. And I said, “Yes, he’s gone. I’m firing him.” I never did. But he forgot. After the screening of “Blazing Saddles,” the head of Warner Bros. threw me into the manager’s office, gave me a legal pad and a pencil, and gave me maybe twenty notes. He would have changed “Blazing Saddles” from a daring, funny, crazy picture to a stultified, dull, dusty old Western. He said, “No farting.” I said, “It’s out.”
That’s probably the most famous scene in the movie, the campfire scene.
I know. He said, “You can’t punch a horse.” I said, “You’ll never see it again.” I kept saying, “You’re absolutely right. It’s out!” Then, when he left, I crumpled up all his notes, and I tossed it in the wastepaper basket. And John Calley, who was running [production at] Warner Bros. at the time, said, “Good filing.” That was the end of it. You say yes, and you never do it.
That’s great advice for life.
It is. Don’t fight them. Don’t waste your time struggling with them and trying to make sense to them. They’ll never understand.
As a reader pointed out to me, this also works with toddlers. (And many other kinds of humans.)
Adventures on two wheels
In the latest newsletter, I wrote about falling in love with my new bicycle. (Got some amazing comments on this one. A subject people are very passionate about!)
How to draw an exquisite corpse

One of my all-time favorite drawing games with my kids is called Exquisite Corpse.
Put simply: two or more people draw a head/torso/legs without looking at each other’s drawings.
We made a silly video to show you how its done:
It’s probably worth pointing out that Exquisite Corpse actually started out with the Surrealist writers, as a kind of proto-MadLib such as:
The [adjective] [noun] [adverb] [verb] the [adjective] [noun].
This is where the name “Exquisite Corpse” came from:
Le cadavre exquis boira le vin nouveau. (The exquisite corpse shall drink the new wine.)
It’s fun because it’s a cooperative game, not a competitive one.

I’m now thinking it would be fairly easy to do an musical Exquisite Corpse in GarageBand: you’d pick a tempo and a key, one person could make a beat, then the next person could make a bassline without listening to the beat, and the next person could make a melody without listening to either. Then you could play it back and see what it sounds like. (I’m going to try this and I’ll let you know how it goes!)
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