Sara Hendren has a new book (that I had the pleasure of blurbing!) coming out in about a week, and I told her, “Oh, you’re in ‘The Gulp.’” The Gulp is that weird time in between when a book is finished and when it’s published. It’s always been a nerve-wracking time for me, but Hendren’s editor, Rebecca Saletan, says it’s her favorite time — it’s like “having a secret before the world knows.” I like that (much sunnier) take and I am stealing it.
The Unschooled Artists
On Sunday, the boys achieved one of my professional dreams: a full page of drawings in The New York Times! They were published along with an essay I wrote about the creative hijinks they’ve been up to during quarantine. You can read the piece online here.
It ends:
“You can’t really teach art,” said John Baldessari, “you can just sort of set the stage for it.”
So here’s an assignment, from our house to yours: Forget school for now. Give your household time, space, and materials, and fill the rest of the summer with art.
It was an extra thrill to be part of “The Diary Project,” as it started with a page by my hero, Lynda Barry, and went on to feature pages by some of my very favorite cartoonists, including: Anders Nilsen, Wendy MacNaughton, Ivan Brunetti, Esther Pearl Watson, and Eleanor Davis.
Big thanks to Alicia DeSantis — I pitched her “The Chronovirus,” then some of my houses alongside Jules’ drawings of the Three Little Pigs, and she had the keen editorial sense to say, “What if we just ran the boys’ drawings?”
The boys were quite pleased on the whole, but Owen would like everyone to know that there’s one glaring error in my text: Super Kleon Bros. is not an “imaginary” video game! He is busy making the music and coding the game in Scratch. (I told him he should send a letter to the editor.)
What did you really want to say?
When it comes to early drafts, this is often the only editorial guidance I need.
Remixed advertisements
Here are some collages I found in my 2017 diary. They’re each made from a single magazine ad.
They feel more relevant in quarantine than they did in 2017. Art is time travel…
In praise of classroom and family museum guides
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