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Love is not a gadget

This is the first mixtape I’ve made with my brand-new Tascam deck, which was not cheap, but is pretty wonderful after a year’s worth of mixtapes on a somewhat shoddy deck whose record function was quickly deteriorating. (I made the last mix on my old Sony boombox.)
I forgot how nice it is to have a counter that works and be able to punch in and out tightly on the tape and really control the levels. (Not that y’all will hear the actual tape — but it sounds really good!)
I made it from a sealed, pre-recorded cassette I got for 99 cents at the record store. I taped over the cassette’s protection tabs and then I taped over the music and then I taped over the artwork.
I’ve started really playing with Side 1/Side 2 constraint of tapes. Some of my favorite records sort of front load all the pop stuff on the first side and the second side is all the weird stuff that I really love and never get tired of. (See: Pixies’ Doolittle, for example.) Other records split a sound in two, like Dylan’s Bringin’ It All Back Home, whose first side is more electric, and the second side is all acoustic. (And side two was recorded in a single day?!? And the whole record was recorded in 3?!?)
Anyways, you’ll get the picture here:
SIDE ONE (LONELY)
- Lou Reed & John Cale, “Nobody But You”
- Purple Mountains, “Darkness and Cold”
- Brooks & Dunn, “Neon Moon”
- Little Anthony & The Imperials, “Tears on my Pillow”
- Bobby Womack, “If You Think You’re Lonely Now”
- Serge Gainsbourg, “Je suis venu te dire que je m’en vais”
- (Bill Murray reciting French nonsense poetry from Groundhog Day)
SIDE B (LOVERS)
- Sade, “The Sweetest Taboo”
- Prince & The Revolution, “New Position”
- Ginuwine, “Pony”
- Michael McDonald, “I Keep Forgettin (Every Time You’re Near)”
- East of Underground, “I Love You”
- Frank Ocean, “Pilot Jones”
- Georgettes, ”Would You Rather”
- Zadie Smith reading Frank O’Hara’s “Animals” to an answering machine
Again, this funny thing often happens where I pick a song just for vibes and then it winds up having lyrics that mean something to me. It’s such an odd process.
You can listen to the mix on Spotify or Apple or Youtube.
I also added it to a big 11+ hour playlist of all the mixes I’ve made so far.
Can’t get enough? Listen to all my mixtapes.
Motivational posters
I finished up a big draft of my manuscript and got to thinking about what’s really worked for me this time around.
I thought it’d be fun to turn some of my pep talks to myself into posters you can download and print.
You can download them here.
The posters were drawn straight into my diary then blown up and cleaned up.
This image was at the top of last Friday’s newsletter, titled “So what?”
I shared a batch of 7 questions I ask myself when I don’t know what to do next and y’all had so many great responses and questions of your own! Some of my favorites: “What advice would you give to a friend with this problem?” “Really?” “Who are you when no one is watching?” “What would this look like if it were easy?” “What if this was fun?” “So what?”
More in the newsletter.
7 questions I ask myself
I was delighted by how many people really liked Tuesday’s newsletter, “7 questions I ask myself” when I don’t know what to do next.
The cease-and-desist of winter
I do a lot of RIPs in the newsletter, and not to be grim, but this time of year… a lot of people die.
Sometimes on a Thursday after I’ve finished the Friday newsletter and arranged it exactly how I wanted it, I’ll get the news that someone who merits an RIP has died and I’ll have to decide whether to go back and change the newsletter or not.
David Lynch was too big to squeeze in last-minute last week, so I gave him a big number one spot this week:
“The old is dead, and I don’t know what the new is. The only way to find the new is to start different things and see if there’s something that can come out of experimentation. It’s somewhat unsettling, but it’s a hopeful thing in a way. I’ve been here before, lots of times.” RIP filmmaker and artist David Lynch. I’d love to wipe my brain so I could watch Twin Peaks for the first time — the first two seasons are streaming for free on Pluto TV and The Criterion Channel is streaming the documentary David Lynch: The Art Life for free until the end of the month. Lynch “didn’t fully trust words” as his friend Kyle MacLachlan put it, but he wrote a good book about his approach to creativity called Catching The Big Fish, and I just picked up a book of his interviews called Lynch on Lynch. Even if he didn’t fully trust them, he dished out many words of wisdom: “An artist doesn’t have to suffer to create.” “Keep your eye on the donut, not the hole.” “Fix your hearts or die.” “Every day, once a day, give yourself a little present.”
You can read the rest — and the other RIPs, both giants in their fields — in the newsletter: “The cease-and-desist of winter.”
3 tricks for self-editing
Here’s how today’s newsletter about self-editing begins:
My trouble with self-editing is that I’m too good at it. I self-edit before I even write! I’m really good at talking myself out of writing. I’ve talked myself out of many more books than I’ve actually written. In my head, there’s too much editing going on too soon.
It was inspired by a video I posted to Instagram when I finished a draft of my next book, Don’t Call It Art:
View this post on Instagram
People often ask me how I know what I’m going to post to Instagram or on the blog or in the newsletter, and the answer is: I don’t know.
What I like to do is to have an idea, and whatever is the fastest way of expressing that idea, do that. See how people respond, and wonder whether there’s more to be said about it.
You can read the whole newsletter here.
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