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The meek inherit the earth
I like the poetry of The Beatitudes, a list Jesus made in his The Sermon on the Mount. It begins:
Blessed are the poor in spirit, for theirs is the Kingdom of Heaven.
Blessed are those who mourn, for they will be comforted.
Blessed are the meek, for they will inherit the Earth…
I always get stuck on that third one: “Blessed are the meek…”
Meek? What does that mean?
“‘Meek’ is not a word that is easy to salvage,” writes Rowan Williams in his latest book, Passions of the Soul. “Even ‘humble,’ which is sometimes used as an alternative in translations, is not a great deal better.”
When Jesus calls himself “meek” or “humble” (praus in Greek), he is speaking, significantly, in the context of inviting people to lay their burdens on him: “Come to me, all you that are weary and are carrying heavy burdens … for I am gentle and humble in heart.” And this surely suggests that the “meekness” about which he talks must be connected with a willingness to be open to the neighbour, not to push away the other, a willingness to share the vulnerability of the neighbour.
Meekness, then, might be reimagined as something to do with an attitude to others that is not self-abasing but simply alert to the reality of others, as Jesus declares that he is in those verses from Matthew 11. His humility is a capacity to be a place where others find rest. The humble person is the one who is not anxiously defended, not restless or tense over their status and safety, the person who is not anxious to hold, to keep control, but who simply occupies the place they occupy. And if that is what we are talking about here, a quality of stillness and alertness, it is possible to see how – as in some of the narrative about Jesus – anger can arise as a simple moment of passionate protest against pain, evil or deceit.
Meekness as a habit of calm attentiveness, stillness, freedom from the fretting worry of keeping control, a stillness that allows others to feel welcome around you, can appear as something very different from the shrinking back that the word so easily suggests. If anger is very much to do with the “pushing out and pushing away” element in our psyche, “meekness” in the sense of a welcoming stillness is the opposite of this. It is the dropping away of the pushing, chest-beating style of response. And the blessedness of the meek, the blessedness of those who live in welcoming stillness, is the condition of those who will “inherit the earth” simply because their spirit is one of receptivity: they are able to welcome truth, to welcome the neighbour; they welcome the world they live in, not needing always to be pushing outwards, battling, throwing up the defences. The earth is theirs because they are not obsessed about what is and isn’t theirs.
Emphasis mine.
I love this rethinking of the word “meek” as a state of being still and holding your place, but also being open and receptive to the world. The meek inherit the earth because they’re open and alive to it.
In an interview with The Idler, Williams calls “poor in spirit” an “unhelpful translation,” and suggests that it “means those who are not dependent on their own achievement for grace.”
In the Beatitudes, what you’ve got is not a recommendation for behaviour but the question: “In whose company will you see God?” In the company of people who are, in a hopeless translation, “meek” – which means simply the ones who don’t need to go around asserting their ego… The kind of person who is content not to push themselves in conversation, who can sit back and listen. The right sort of detachment. You don’t need to be on top of the situation, you don’t have to work all the time to be in control…
And now I’m thinking about a favorite bit in A Man Without A Country when Kurt Vonnegut observes that no politicians seem to want The Beatitudes or The Sermon on the Mount printed in public buildings. “‘Blessed are the merciful’ in a courtroom? ‘Blessed are the peacemakers’ in the Pentagon? Give me a break!”
(Happy Sunday.)
Basic pleasantries
A paragraph plea from today’s newsletter:
I am no saint, but I’ve been shocked lately by how saying “Hello,” “Please,” and “Thank you” to workers in service industries often elicits surprise and wonder and gets me treated like the Pope. I don’t know what is going on with most people, but it seems like a large number of us are becoming assholes, either downright mean or totally oblivious to others. I probably don’t need to tell you lovely subscribers this, but just in case: Try this week to acknowledge your fellow human beings and treat them with basic dignity and respect. The Golden Rule not only works wonders, it heals the soul! (“You’ve got to be kind.”)
Read the rest here.
Monthly mixtapes
Since January, I’ve been making a monthly “tapeover” mixtape made a from a batch of random, pre-recorded, sealed tapes I bought from End of an Ear for 99 cents a piece. (I got the idea while reading Marc Masters’ High Bias: The Distorted History of the Cassette Tape.)
Each month, I unwrap one of the sealed cassettes, tape over the missing recording tabs, tape over the music, and tape over the artwork.
It’s an exercise in constraint. How long the mix is depends on how long the original tape is.
The latest tape is called D E S E R T, and it was inspired by our recent trip to Joshua Tree National Park. It’s a short one because the original tape was short:
SIDE A
– Can – “Shikako Maru Ten”
– Amanaz – “Khala My Friend”
– Cocteau Twins – “Watchlar”
– Molly Lewis – “On The Lips” (tape version is chopped and shortened so she just says, ‘thank you for listening’)
SIDE B
– Sparks – “Sherlock Holmes”
– The Isley Brothers – “Work To Do”
– The Smile – “Teleharmonic” (had to fade this out because the tape was too short)
All these tracks are streaming, so you can listen to this mix on Spotify.
February’s tape was called Music in The Key of Love — it was taped over John Tesh’s album of the same name. (A long-playing, high-quality tape!)
SIDE A
– Four Tet – “Loved”
– Geese – “3D Country”
– The Frightnrs – “I’d Rather Go Blind”
– Cass McCombs – “Don’t Vote”
– The Sonics – “He’s Waitin’”
– Little Dragon – “Slugs of Love”
SIDE B
– The Donays, “Devil in his Heart”
– ZZ Top, “I Thank You”
– Can, “moonshake”
– Curtis Mayfield – “We’ve Only Just Begun”
– Al Green – “Take Me To The River”
– Depeche Mode – “Master and Servant” (live)
– J&B Purify – “I’m Your Puppet”
– A. Ellis & P. Dillon, “Why Did you Leave Me”
– The Beatles – “Blue Moon”
All of these tracks are streaming, so you can listen to the mix on Spotify.
January’s tape was called Wellness. It started just because I wanted the 1969 version of Donovan’s “Colours” and Steve Bent’s “I’m Going To Spain” on a tape because neither are streaming. I found the Donovan track on a burned CD that had The Frogs song on it. Then things kind of spiraled out:
SIDE ONE
– Donovan, “Colours” (1968 re-recorded version w/ band)
– Steve Bent, “I’m Going to Spain”
– The Frogs, “I’ve Got Drugs”
– Elvis, “Don’t Be Cruel”
– Pete Drake, “Forever”
– Brian Eno, “Deep Blue Day”
SIDE TWO
– R.E.M., “Tongue”
– The Breeders, “No Aloha” (just the first part before the whole band comes in)
– Roy Orbison, “Blue Bayou”
– Emahoy Tsegue-Maryam Guebrou, “Mother’s Love”
– Heart, “Dreamboat Annie”
– Clinic, “Voodoo Wop”
– Alton Ellis, “Rock Steady”
Since three of these tracks aren’t streaming, I made a YouTube playlist.
Why am I doing this? I don’t know. I just like it.
I plan on making a mix every month for the rest of the year or until I get bored.
Show Your Work! turns 10
It’s the 10th anniversary of this little book. So delighted that it’s still speaking to people. Thanks to everyone who’s read and shared it. (Especially @aliabdaal, who says it changed his life.)
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