Guess I know what I’m doing this year…
Water in the well
Water is always on one’s mind in Texas. We are in a bad drought down here, but luckily, for me, for once, the drought is literal and not metaphorical.
Some Hemingway (from his Paris Review interview), courtesy of George Saunders:
Trying to write something of permanent value is a full-time job even though only a few hours a day are spent on the actual writing. A writer can be compared to a well. There are as many kinds of wells as there are writers. The important thing is to have good water in the well, and it is better to take a regular amount out than to pump the well dry and wait for it to refill.
And elsewhere:
I learned never to empty the well of my writing, but always to stop when there was still something there in the deep part of the well, and let it refill at night from the springs that fed it.
Hemingway here is talking about subtraction — John McPhee talks about the addition:
If somebody says to me, You’re a prolific writer—it seems so odd. It’s like the difference between geological time and human time. On a certain scale, it does look like I do a lot. But that’s my day, all day long, sitting there wondering when I’m going to be able to get started. And the routine of doing this six days a week puts a little drop in a bucket each day, and that’s the key. Because if you put a drop in a bucket every day, after three hundred and sixty-five days, the bucket’s going to have some water in it.
(All emphasis mine.)
Plumbing issues are usually matters of input and output.
The writer must be four people
An entry from 12/3/1961 in Susan Sontag’s journals. (via)
The writer must be four people:
1) The nut, the obsédé
2) The moron
3) The stylist
4) The critic1 supplies the material; 2 lets it come out; 3 is taste; 4 is intelligence.
A great writer has all 4 but you can still be a good writer with only 1 and 2; they’re most important.
See also: The four energies
The Abyss and The Gulp
A zine about the chasms between research and writing and writing and publishing. Available to download in today’s newsletter.
The Four Energies
When reading Jane Friedman’s newsletter, I came across this great bit by writer Bill O’Hanlon, from his book, Becoming A Published Therapist:
In my view, there are four main energies you can tap into when you write your book. The main writing energy you discover may be just one or you may find that you have a combination of more than one of these energies that fuels your writing endeavors. The four energies are Blissed, Blessed, Pissed, and Dissed. The first two represent the positive energies; the last two, the “negative.”
The energies are split between “what you love and what upsets you”:
- “Blissed” energy comes from what you’re on fire for and can’t stop doing.
- “Blessed” means you’ve been gifted something that you feel compelled to share.
- “Pissed” means you’re pissed off or angry about something.
- “Dissed” means you feel “dissatisfied or disrespected.”
O’Hanlon goes on to say many of his early books were “written from a combination of pissed and blissed.”
(I can relate: much of my work comes from being a combination of angry and curious.)
O’Hanlon’s point is that ideas aren’t enough, you need energy to see you through a creative project, and if you can identify that energy and where it comes from, it can help your work.
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