“The Inflatable Man” is a metaphor Meghan came up with on one of our morning walks. I thought maybe there was an essay or a newsletter in it, and went looking for them around town. Once I shot this footage, I decided to make a Weird Little Something out of it. I believe we should all make Weird Little Somethings once in a while.
On reading novels

Tuesday’s newsletter was “on sitting around and reading a novel” for nothing but the pleasure of it:
[The feeling] that you’re getting away with something […] is really important to the reading experience. Reading should feel a little subversive… because it is! To sit around and read a novel in the year 2025 is an act of resistance — you’re swimming against the current of the entire contemporary shitstream.
Readers left hundreds of recommendations in the comments of that one.
For a list of some of my favorite novels, check out a previous letter, “Big books for summer.”
Easter Eggs
This Easter I was reminded of this photo I took in east Austin, 2013. (The sign reads: “Don’t make your own easter eggs — ain’t nobody got time for that!“)
That’s one kind of Easter egg, but the other is a hidden feature or a message.
Not everybody knows this, but I hide Easter eggs in every one of my Friday newsletters — the “hey y’all” greeting and the “xoxo” signoff is always hyperlinked. (I can’t remember when I started this practice, but I know I stole from Laura Olin.)
Sometimes the links are random, but often they comment somehow on the list of 10.
Here’s the most recent Friday letter so you can see what I mean: “Art comes from other art.”
I can’t stop printing
The last few newsletters have shown off how obsessed I’ve become with printmaking — I can’t seem to stop!
From “All is not well (but some things are”:
“Not everything will be okay but some things will.” Years ago, I saw that phrase on a slide at the end of a Maira Kalman talk. It has stuck with me. I wanted to put my own spin on it, so I made a block print with the words, “All is not well (but some things are.)” I was looking for material to print it on, and settled on a few thrifted copies of Kenneth Clark’s Civilisation.
I made these prints after writing today’s newsletter, “The subtle art of showing up”:
I get several forms of the question, “What good is making art in times like these?”
There are many decent answers, but the one that rings truest to me, I think, comes from art coach Beth Pickens: “Artists are people who are profoundly compelled to make their creative work, and when they are distanced from their practice, their life quality suffers.”
If I don’t show up for creative work, I suffer. I’m not a whole person. If I don’t show up to the studio, it’s harder for me to show up for the people in my life.
And, really, that’s all, sometimes, you have to do: just show up.
I’m getting many “what are you going to do with all these prints?!?” questions… so that might be the subject of next week’s newsletter…
Block printing and dub reggae
After I got back from New Orleans a few weeks ago we launched right into spring break mode, and pretty much all I wanted to do was listen to dub reggae and make block prints.
In a Tuesday mailbag, “The point of this world,” I wrote quite a bit about music:
Music is a form of transportation. A joy in the past year has been the way our vacations with the boys have synced up with a particular kind of music — every time I hear Yellow Magic Orchestra, for example, I’m back driving around in the deserts of New Mexico. Whenever I want to be driving around Oahu, I put on our Oahu mixtape.
On Friday, I shared some images of a print I made: “Be the weird you wish to see.”
There are terrible things happening in the world, but you can’t let it rob you of getting joy out of your day-to-day living while you can. One thing that never fails me: Stepping away from the screen and leaving the house. This week I found some major treasure on one of our daily walks. I took my kids to a baseball game. I shopped for records and art supplies and chatted with strangers. I know I’ve said it over and over and over again but I’ll say it again: the more I make an effort to engage locally with my neighborhood and my city, the better I feel about life.
A bunch of folks asked me how I do it, so I shared “an unofficial guide to block printing”:
I want to emphasize that I am a total amateur at this stuff, and I will miss a bunch that you can learn elsewhere in tutorials by more qualified people. That said, I wrote a whole section in Show Your Work! about how there’s a lot of value in learning from beginners. Because beginners have only recently figured stuff out, they know what a beginner needs to know better than an expert does…
And tomorrow’s newsletter starts out with an animation made with a bunch of the block prints I made for Tuesday’s posts.
This is how the newsletter comes together: just one thing leading into another.
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