Today’s newsletter was an excuse to write about the weird experience of binge-watching Peep Show after watching and reading about 2001: A Space Odyssey: “Do you hear an internal monologue?”
Drawing Eno
Yesterday’s newsletter, “Drawing Eno,” was inspired by seeing Gary Hustwit’s new film Eno and how I’ve been drawing Brian Eno lectures and interviews for over 15 years. Here’s a drawing I made from the generated version of the movie I saw:
You can read the rest of the newsletter here.
Steven Soderbergh on reading
This map of notes map of notes became item #4 in today’s newsletter:
“I read in order to calm down.” Steven Soderbergh’s Year in Reading. So many things I care about get mentioned in this conversation: not being guilty about quitting books, Sarah Bakewell’s How to Live: Or A Life of Montaigne, the diminishing returns of new technology, and keeping a commonplace book. (Found via Mark Larson’s rebooted weekly blog, which continues to whip ass.)
Read the rest of the newsletter here.
Pizza night blockbusters 2021-2023
Because our programming is all Christmas favorites for the rest of 2023, I consulted the family pizza and a movie night logbooks and compiled a list of our favorite movies from the past 3 years.
One star = hit with everybody in our gang
Two stars = total classic
For (mostly) all ages:
- Kiki’s Delivery Service **
- Paddington 2 **
- Robin Hood (Disney, 1973) **
- Lilo and Stitch **
- The Wizard of Oz **
- Toy Story, Toy Story 2 **
- Mary Poppins
- The LEGO Movie
- The LEGO Batman Movie
- Ratatouille
- Turning Red
- Luca
- Angry Birds
- Wreck-It Ralph
- Coco
- Up
- The Shaun the Sheep Movie
- The Mitchells Vs. The Machines
- A Charlie Brown Christmas
- It’s the Great Pumpkin, Charlie Brown
- Elf
(Overall, it’s hard to go wrong with classic Pixar, Aardman, and Studio Ghibli.)
For older kiddos:
- Frankenstein (1931)
- King Kong (1933) **
- Jurassic Park **
- Raiders of the Lost Ark
- Jumanji: Welcome To The Jungle
- School of Rock
- Pee-Wee’s Big Adventure
- Into the Spider-Verse
- Willy Wonka and the Chocolate Factory (1971)
- Teenage Mutant Ninja Turtles: Mutant Mayhem
- Home Alone
- Matilda
- Honey, I Shrunk The Kids
- Creature from the Black Lagoon
If you’d like Meg’s pizza recipe, that’s here.
Wes Anderson recreates Roald Dahl’s writing shed

One of the delights of Wes Anderson’s adaptations of Roald Dahl’s short stories for Netflix is his recreation of Dahl’s famous writing shed, with Ralph Fiennes playing Dahl.
Anderson had stayed at Dahl’s house while he was making Fantastic Mr. Fox.
“It was a dazzling thing,” he said in a recent NYTimes interview. “It’s the house of somebody who has a very strong sense of how he wants things to be.”
I remember the dinner table, a great big table with normal chairs, but at the end of it is an armchair — not a normal thing at a dinner table — with a telephone, a little cart with pencils and notebooks, some stacked books. Essentially, “You can all eat here, and this is where I sit and have everything I want.” Also, he bought art and he had a good eye. I remember there’s a portrait of Lucian Freud by Francis Bacon next to a portrait of Francis Bacon by Lucian Freud. The place is filled with interesting things to look at.
He also got a look at the writing hut, “still filled with his things and left the way he had it.”
There was a table with all these sort of talismans, little items laid out, which I think he just liked to have next to him when he was writing. He had this ball that looks like a shot put, made of the foil wrappers of these chocolates he would eat every day. He’d had a hip replacement, and one of the talismans was his original hip bone. And there was a hole cut in the back of his armchair because he had a bad back. It is odd to have somebody write in a way that’s sort of cinematic.
Here’s a 1982 interview with Dahl (including him sitting down to write in his shed) from the BBC Archives:
I really loved the adaptations — I watched “The Wonderful Story of Henry Sugar” first, and then I read the original stories of “The Swan,” “The Ratcatcher,” and “Poison” that night, then I watched each short the night they came out. They’re nasty little stories, like a lot of Dahl’s work, and that nastiness matched with Anderson’s visual sweetness makes for delicious confections.
It’s a little baffling to me what a non-event the release of these short films has been. I agree with Richard Brody: “Though the Netflix release of Anderson’s four Dahl adaptations is a wondrous bounty, they deserve screenings and a DVD compilation as the unified feature that they implicitly are.”
h/t to Daniel Bennehworth-Gray’s Meanwhile newsletter. He also linked to sheds of famous writers and Jane Mount’s drawing of Dahl’s hut.
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