Stewart Brand once said to Brian Eno: “Why don’t you assume you’ve written your book already — and all you have to do now is find it?”
I had long stared at blank word documents, unable to get my thoughts on the page. I’m actually not a great writer — but I am a pretty good speaker. So I went back through my social channels and transcribed every short form video I had ever done on this topic and that left me with all these disjointed paragraphs. I spent another two months trying to decide how to connect these little vignettes into a “real” book and finally realized that my choices were to publish an imperfect book or not publish the perfect book. So I decided to make each section its own chapter — some only a page long.
Here is a technique I suggest to fellow writers who are blocked for whatever reason: just talk about the piece with a friend, record it, then play it back and write down the good stuff. This method also works with Gchat & similar programs. Go straight to document after.
He set up a camcorder and recorded himself presenting in various parts of his house. “I would try to rehearse what it would be like to explain something complicated, like iambic pentameter, in a familiar way,” says Baker, who also found himself singing poetry in his own barn, in Maine. “How would you explain it if you’d been thinking about it for twenty years? So I came up with 40 hours of tape and transcribed the audio.”
I suppose one could skip the transcription step by talking directly into the computer’s speech-to-text?
I know a lot of songwriters do this with song ideas: they record a bunch of voice memos on their phone, but then they make time to listen to what they’ve recorded, often on shuffle.
Regardless of the tech you use, the method is: record yourself thinking out loud, and once you’ve transcribed that into a draft: edit yourself by reading out loud.