A page from the sketchbook.
“WE GOT THE TOOLS, WE GOT THE TALENT!”
I want to thank my new friend, Tim Walker, for his excellent Austinite advice and for clueing me in to LinkedIn, which seems like a pretty excellent professional social networking tool. (Dig my profile. Add me as a contact!)
I’d also like to note that I’ve been absolutely blown away by the hospitality and kindness of the Austinites that Meg and I have met so far. Y’all rock.
Extra credit if you can cite the quotation above. “It’s Miller time!”
HOW DO BABIES KNOW?
Internet detox continues…hence the lack of posts. But I did want to point out this excellent discussion between musician/artist/awesome dude David Byrne and neuroscientist/musician Daniel Levitin. I find neuroscience endlessly fascinating, and if I had any kind of science background at all, I’d go get my PhD on creativity and the brain at UT Austin, where they have a great center for neuroscience. But alas…
One particularly great subject for neuroscience is babies. Here, DT and DB are talking about mirror neurons:
One of the great mysteries in human behavior was that a newborn child can look up at its parent, and the parent smiles, and the newborn will smile. Well, how does it know how to do that? How does it know by looking at an upturned mouth what muscles it needs to move to make its own mouth turn up? How does it know that it’s going to produce the same effect? There’s a whole complicated chain of neuroscientific puzzles attached to this question.
And:
DL: …There’s actually a theory that all infants are synesthetes, and that sensory differentiation takes a few months after birth to occur. And that infants live in this sort of psychedelic world of everything being jumbled together.
DB: Wow.
I love this stuff…
SUMI-E JOURNAL: OFF THE GRID
I have been sick and our bootleg wireless signal is down, so my past couple of days have been pleasantly lo-fi. I’ve been working with the brush a lot (see above), reading books, and staying away from the computer screen. The only hi-tech thing I did the past couple of days was play Super Paper Mario while listening to an Elmore Leonard audiobook (audio books + video games = a brilliant idea from my buddy Brandon).
I don’t know anything about Stephen Elliott, but he had a great article in Poets and Writers on living without the internet with some great advice:
Divide your day into online and offline. Studies have consistently shown that people with more screens open get less done. Multitasking slows down productivity. As long as you read your e-mail and respond once every twenty-four hours, nobody is likely to notice. Dedicate at least half of your day to handling non-Internet tasks exclusively. Write a list of things you need to do when you do get online so your Internet time will be more productive. If the main thing I was doing in my life was writing a novel, I would resolve not to be online at all. I know people who have moved “off the grid,” to rural areas to escape any distractions to their work. But the reality is you don’t need to go anywhere, you just need a computer without a Wi-Fi hookup. The urge to screw around is always strongest when the work’s not going well. And if you work at a computer, screwing around is only a click away. But when the work’s not going well is exactly the time to turn the Internet off.
WEEKEND SKETCHBOOK
hawkline is the name of one of the bands that my buddy corey drums in. i was trying to come up with a logo for them.
- ← Newer posts
- 1
- …
- 47
- 48
- 49
- 50
- 51
- …
- 70
- Older posts→