- Best job in the world: writing about Ghostface Killah for lame-o New Yorker readers. I’ve heard the album, and it is great. (A fun note: Ghostface comes right after George Saunders on my Ipod artists menu.)
- If your eyeball pops out of socket…panic. (I would.)
- Anders Nilsen’s illustrations for Hans Christian Anderson’s Fairy Tales.
- Chapter One of Naomi Klein’s NO LOGO, which I read ages ago, but still think is brilliant. Search the whole book on Google Books.
OPEN LETTER TO THE PRESIDENT AND PROVOST OF MIAMI UNIVERSITY
Dear Drs. Garland and Herbst,
I think it’s reasonable to assume that your inboxes have recently been flooded with e-mail from concerned students, professors, alumni, and friends of the Western College Program. Let me add my e-mail to the batch, not only as a recent Western graduate, but as a former Harrison Scholar and recipient of the Provost’s Academic Achievement Award.
It would be a waste of time for me to further sing to you the praises of Western’s academic program: the university as a whole has already adopted Western’s long-practiced liberal education policy, interest in interdisciplinary inquiry, and emphasis on living-learning communities. The big question seems to be: why should Miami pay 3 times more per student so that Western majors can experience this wonderful education?
You wouldn’t have caught me dead in a business or marketing class at Miami, but I believe the answer lies in branding. This became clear to me after watching a DVD endorsed by U.S. News and Reports and put out by the WB network, called THE U: EVERYTHING YOU WANTED TO KNOW ABOUT COLLEGE BUT WERE AFRAID TO ASK. (I’m not making this up, if you haven’t already, you can get your copy at www.theu.com.) Miami is featured on the Midwest Colleges DVD, and here’s the summary:
Miami University likes to think of itself as the Harvard of Ohio, but, it’s better to think of this school as what Harvard would be if you moved it west, dropped it in a cornfield, kicked out all the nerds*, and added a lot of hotties rocking the popped collar. Yeah.
*I’m guessing by nerds, they mean academics.
This too was my nightmare vision of Miami as a high school senior (although I don’t think people were popping their collars at that time). Sure, it’s a stereotype, but stereotype is everything in this culture. I had three full-ride offers to outstanding universities, and I chose Miami only because I found my way to the Western College Program. As my mother likes to say, “I wouldn’t have let you go there, otherwise.”
The year I received the Provost’s Academic Achievement Award, three out of the dozen recipients were Western majors: a higher percentage than any other academic division. Western provides an “alternative” brand to the stereotypical beer-guzzling-red-brick-and-pink-polo-shirts Miami brand. This alternative brand attracts top students like myself, who contribute to greater improvement of the intellectual environment, which boosts Miami’s reputation, which then attracts even more top students.
There is your payoff.
Eliminating Western will eliminate students like me. Please, for the greater good of Miami University, do not take any drastic actions. Give Western a chance to improve within the recommendations of the Winkler committee. The greatest minds of my generation are not going to attend a college universally dubbed J. CREW U. without it.
Sincerely,
Austin Kleon
Class of 2005
JOHN MADDEN’S VOICE MAKES ME WANT TO PUNCH SOMEBODY IN THE FACE
or, quit for the day and go down to Mama Santa’s to meet Johnny for pizza and catch-up. over lunch, Drain told me about a Dutch artist named Theo Jansen, who makes “skeletons which are able to walk on the wind.” This guy also made a flying saucer that actualy flew, and set it loose on an unsuspecting town. Awesome.
HEY DADDY-O, I DON’T WANNA GO DOWN TO THE BASEMENT
- The “Survivor-fication” of TV: Mr. Gordon agreed with the suggestion that reality television might have influenced the ever-shortening lives of characters on scripted television. “There is absolutely a ‘Survivor’-fication of television at some level,” he said. “All these shows, whether it’s ‘Survivor’ or ‘American Idol,’ are always about somebody leaving the show. It’s always about a symbolic death.”
- 24 and LOST both thrive on those old genre cliches: last week on 24 it was the old “don’t go down to the basement” routine, and that chick went down there and basically said, “Hello?? Any terrorists in here?” And then she gets her throat slit. Duh.
- Learn to play the Ramones’ “I Don’t Wanna Go Down To The Basement”
- Beat Happening’s YOU TURN ME ON is on repeat this week. Check out some free MP3s from K Records. Dub Narcotic tears it up: check out old faves, The Microphones and Mirah.
- FREE STARBUCKS: tomorrow 10-12.
- Kids: the human body is vulgar and disgusting, and you shouldn’t even think about it, let alone draw it.
- AND last but not least: my all-time favorite, George Saunders, has a message about his new book(s) and a new piece in GQ.
IF YOU DON’T LIKE IT, WAIT 15 MINUTES
- A few panels from the current comic I’m working on to send to Backwards City Review. I’ve been absolutely nuts for woodcut comics lately: check out Frans Masereel, Lynd Ward, Peter Kuper, and Eric Drooker.
- Did you know Ginsberg’s “Howl” was partially influenced by Ward’s God’s Man?
- Alan Moore on V For Vendetta.
- Harold Ramis interview at The Believer.
- The Winkler Report: looks like my alma mater is about to be hacked up and rearranged.
- Preview of the upcoming MOME, and the upcoming Kramer’s Ergot.
- Mat Brinkman’s stuff is insane.
- Frontrunning photo for our wedding announcements. Ho ho. (Taken by Sean.)
- ← Newer posts
- 1
- …
- 318
- 319
- 320
- 321
- 322
- …
- 332
- Older posts→