As copied by Jules, age 3. His drawings always seem to express how I feel…
Notebook vs. washing machine
I was searching for some earbuds and found this notebook in my walking fleece that I haven’t used for months now, sadly, as we have entered the hell season in Texas.
It was my “scratch” notebook, the one I carry around all day, scribbling notes that I then either copy into my logbook or my diary, so it wasn’t that great of a catastrophe.
One interesting thing: I used two different pens and a pencil for these notes, and the water washed out all the felt-tip Flair pen (I didn’t realize they use water-based ink!), but the Pilot G2 ink and the Blackwing pencil remained mostly intact. So now I have this weird object in which some things are erased, some things survive.
Usually with notebooks what survives is the quality of the idea — in this case, it was about the quality of writing tool!
Beautiful things grow out of shit
It’s Juneteenth, our government is willfully tearing children from parents, and I’m thinking of Henry David Thoreau, as I often have since reading Laura Walls’ splendid biography.
Since last October, I’ve taken up the habit of reading a page a day from his journals. It shocked me, at first, how much I enjoyed Thoreau’s company, as I had pegged him as a fussy nature-lover (I consider myself an easygoing indoorsman). He is, in many ways, just that, but so much more.
I find him completely relatable: He’s overeducated, underemployed, loves plants, is upset about politics, and lives with his parents. (Pretty sure I could write a whole sitcom reimagining him as a millennial in contemporary America.)
On my birthday, I turned to the June 16, 1854 entry, and found the raw material for what would become “Slavery in Massachussetts,” a speech he’d give a few weeks later on July 4, standing under a “black-draped, upside down American flag.” Towards the end of the speech, in an echo of his friend, Ralph Waldo Emerson (“We do not breath well. There is infamy in the air…[it] robs the landscape of beauty…”), he summarizes his despair:
Who can be serene in a country where both the rulers and the ruled are without principle? The remembrance of my country spoils my walk. My thoughts are murder to the State, and involuntarily go plotting against her.
But then, he turns back towards nature, to contemplate the water-lily. Here’s Laura Walls:
In an extraordinary final turn, he willed himself toward hope: “But it chanced the other day that I scented a white water-lily, and a season I had waited for had arrived. It is the emblem of purity.” Pure to the eye, sweet to the scent, yet rooted in “the slime and muck of earth,” the lily became his emblem for “the purity and courage” that may yet—that must yet—be born of “the sloth and vice of man, the decay of humanity” In offering his audience this American lotus flower, the sacred Buddhist emblem of enlightenment he had found lighting his path of Concord, Thoreau was offering them the core of his own being and belief, and the story of his own redemption.
It reminds me of something Brian Eno says: “Beautiful things grow out of shit.”
Beautiful things grow out of shit. Nobody ever believes that. Everyone thinks that Beethoven had his string quartets completely in his head—they somehow appeared there and formed in his head—and all he had to do was write them down and they would be manifest to the world. But what I think is so interesting, and would really be a lesson that everybody should learn, is that things come out of nothing. Things evolve out of nothing. You know, the tiniest seed in the right situation turns into the most beautiful forest. And then the most promising seed in the wrong situation turns into nothing. I think this would be important for people to understand, because it gives people confidence in their own lives to know that’s how things work.
If you walk around with the idea that there are some people who are so gifted—they have these wonderful things in their head but and you’re not one of them, you’re just sort of a normal person, you could never do anything like that—then you live a different kind of life. You could have another kind of life where you could say, well, I know that things come from nothing very much, start from unpromising beginnings, and I’m an unpromising beginning, and I could start something.
This is an unpromising beginning. What can I start? What seeds can I plant in this muck?
A warning to my readers
Wendell Berry, “A Warning To My Readers,” from The Selected Poems of Wendell Berry
* * *
Yesterday my 5-year-old son told me that he really wants to go to Germany so he can be friends with the guys in Kraftwerk. First, I had to explain that Florian, Karl, and Wolfgang don’t even tour with the band anymore, and second, Kraftwerk are notoriously secretive, so he probably has a better chance of meeting Paul McCartney. (Not that he knows or cares who that is.)
I then tried to explain to him what a tricky thing it is meeting the people who make our favorite things. Sometimes people whose music we really like are not necessarily people we would want to hang out with. And besides, we already get the best parts of them in their work. When you put on a Kraftwerk record or a DVD, I told him, you’re already sort of hanging out with Kraftwerk.
I realized, midway through my monologue, that these are hard concepts even for adult fans to grasp, let alone a 5-year-old fan.
“What really knocks me out,” says Holden Caulfield, in J.D. Salinger’s The Catcher in The Rye, “is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it.”
That is, in a sense, one of the things I love in books — that feeling of a human being on the other side of the page who really gets it. You fall in love with the voice, and part of you wants to talk back to it, and have it talk back to you. But it’s always so much better for me when they’ve been dead for a hundred years, and I don’t even have the temptation to want to meet them.
I love meeting my readers, but I am so aware that the person who writes the books that they read is the best version of me — the most hopeful, the most helpful version of me. In my day-to-day life, I am as confused, and stupid, and pessimistic as anybody. As Wendell Berry puts it, “I am a man as crude as any…”
A portrait of the artist as a young father
My friend Paige took this photo of me with my boys in 2015. Pretty much sums it up.
It’s my sixth Father’s Day. I’ve been in the game long enough that I no longer worry about being a “good” dad, I just want to be a decent one, or at least not a bad one. (Michael Chabon: “The handy thing about being a father is that the historic standard is so pitifully low.”) A few years ago I made myself this mug:
I wish I had a bunch of wisdom saved up about being a Decent Enough Dad, but it’s just so damned hard, I feel like I know next to nothing. (I find being a decent dad to be way, way, way harder than being a decent writer or an artist. Part of the problem is that you won’t really know if you did a decent job until a decade or so passes.)
I’m thinking this morning of this page from Tibor Kalman’s monograph, Perverse Optimist:
He dedicated the book to his children, “who have made me change my mind about everything.” He wrote, of he and his wife Maira’s decision to have them:
We chose to increase the complexity of our lives by having children. The greatest benefit of having those children has been to look at the world through their eyes and to understand their level of curiosity and to learn things the way they learn things.
Here are a handful of things I think I know about being a dad:
1. Work, children, or a social life. You may pick two at a time. (Nobody wants to hear this.)
2. When you add a member to your family, more than anything else, you increase complexity.
3. If you spend time with children they will teach you to look through their eyes.
4. Copying is how we learn, so “teaching,” or telling what children they should be doing is far less powerful than doing things you want them to do and behaving in ways you want them to emulate.
5. Your kids will not only teach you more than you’ll teach them, if you do it right, you might even learn how to learn again.
6. “The Pram in the Hall” stuff is garbage. A bad equation. By all means, use your children as an excuse to get out of petty stuff you don’t want to do, but don’t you dare blame them for not doing The Thing.
7. If you let them, they will inspire the hell out of you.
See? I couldn’t even make it to ten. Maybe in a few more years…
PS. I see, after pressing PUBLISH, that I failed to type the word “love” in this post. It’s the one-word summary of this whole freaking enterprise.
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