Almost made this the title of my new book. Says it all.
Plug and play studio
I grew up playing music and have slowly acquired a bunch of recording gear over the years, like this Tascam Portastudio 4-track cassette recorder. I bought in high school and spent endless hours hunched over it. The thing still works!
My 5-year-old and I have recorded some tunes on tape, but he really loves recording in Garageband on the iPad. I don’t blame him: I’m constantly amazed at how powerful the iOS version is.
I wanted to build us a little plug & play recording station and resurrect some of my old equipment (old keyboards, SM-57s, some condenser microphones), so here’s what we’ve set up:
- Behringer U-Phoria UMC404HD – No-frills, $99, this thing has 4 XLR inputs and MIDI w/ a USB out.
- Apple Lightning to USB-3 cable – converts USB to lightning and has enough juice that you don’t have to use a powered hub with the Behringer
- Anker 6ft lightning cable
So, for about a $150 investment, I can have all my old microphones, bass guitar, and keyboard plugged in at all times, and all you have to do is plug in an iPad (or an iPhone!), fire up Garageband, select the inputs, and go. I’ll often make a drum pattern with the built-in sequencer, then record myself singing and playing my old Yamaha piano through the MIDI input. It’s fun to do the basic tracks, unplug the iPad, then sit on the couch with headphones and do the mixing.
I’m constantly amazed at the technology my kindergartener has access to, but, as always, the hardest thing about music isn’t the recording technology, it’s writing a song worth recording!
A seat down front at some bad play
America had a particularly idiotic day yesterday (I mean, pretty much every day in this country seems dumber and meaner than the last one) and I thought of a line in Horace’s Epistles (translated by David Ferry) summing things up after the ancient poet has described man’s relentless pursuit of money:
All for a seat down front at some bad play?
The Adventures of Johnny Broom
When I was reading Jan Swafford’s introduction to classical music, Language of the Spirit, I kept thinking about how some of the stories about Johannes Brahms would make perfect Kate Beaton comics (a la “Chopin and Liszt” or anything in Hark! A Vagrant or Step Aside, Pops). I doodled a few in my sketchbook:
I’m currently learning his Waltz in A Flat, which is just beautiful:
A fun fact: Brahms was Charles Schulz’s favorite composer, but he thought Beethoven was funnier for Schroeder’s obsession:
Next up: reading Swafford’s biography of Brahms…
Dark Days
Part of the problem with depression is that it’s somewhat beyond description, and almost impossible to fathom for those of us who haven’t experienced it. I’ve been bummed, sad, melancholy, etc., but never actually depressed or suicidal, and I never really began to understand depression until I read William Styron’s 80-page memoir, Darkness Visible:
Depression is a disorder of mood, so mysteriously painful and elusive in the way it becomes known to the self—to the mediating intellect—as to verge close to being beyond description… it has to be emphasized that if the pain were readily describable most of the countless sufferers from this ancient affliction would have been able to confidently depict for their friends and loved ones (even their physicians) some of the actual dimensions of their torment, and perhaps elicit a comprehension that has been generally lacking; such incomprehension has usually been due not to a failure of sympathy but to the basic inability of healthy people to imagine a form of torment so alien to everyday experience.
Styron does his best to describe it for the reader:
The pain is unrelenting, and what makes the condition intolerable is the foreknowledge that no remedy will come — not in a day, an hour, a month, or a minute. If there is mild relief, one knows that it is only temporary; more pain will follow. It is hopelessness even more than pain that crushes the soul. So the decision-making of daily life involves not, as in normal affairs, shifting from one annoying situation to another less annoying- or from discomfort to relative comfort, or from boredom to activity- but moving from pain to pain. One does not abandon, even briefly, one’s bed of nails, but is attached to it wherever one goes.
I might also recommend Allie Brosh’s comics, “Adventures in Depression” and “Depression Part Two,” collected in her book, Hyperbole and a Half:
Some people have a legitimate reason to feel depressed, but not me. I just woke up one day feeling sad and helpless for absolutely no reason.
(I have not read Andrew Solomon’s The Noonday Demon, but I loved his book Far From The Tree.)
A few of my friends have written about their experiences, including Mike Monteiro and Clayton Cubitt.
I wish y’all well. Hang in there.
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