In the Tuesday newsletter this morning I wrote about the magic of the brush pen. I also shot a video of me working with it in my diary:
Newsletter 2.0
“Everything changes. Don’t be afraid.”
—Al Swearengen, Deadwood
My newsletter, which I’ve been mailing out since 2013, is now hosted on Substack.
Here’s the deal:
- The Friday “10 things worth sharing” newsletter will not change and it will always remain free to anyone who wants to sign up.
- On Tuesdays, I’ll send out a bonus email to paying subscribers. Sometimes it’ll be an illustrated essay, a tool I can’t live without, a technique I use, a favorite book from my collection, or another exclusive behind-the-scenes peek at my process. Paying subscribers will also get the ability to comment and join special discussion threads.
I want to note that I’m not taking any deal or any money from Substack. I picked them because I like their tool. It’s simple and clean and has what I need to keep doing the old thing but also do some new things.
The Friday newsletter means a lot to me and I love doing it and I want to keep doing it indefinitely. It’s my ritual, my way of looking back at the days and keeping track of the weeks. Lots of people tell me it’s become a ritual for them, too, which delights me.
I hope this new Tuesday email will be a fun place to experiment — to show my work — and we can maybe even build a little community and hopefully learn something from each other.
Thank you to everyone who’s read the newsletter over the years and shared it far and wide.
If you’re not signed up, you can subscribe now:
Laurie Anderson’s 5 questions
I usually save everything Sam Anderson writes for print, but I highly recommend listening his recent profile of Laurie Anderson, because it contains a wonderful intro that’s not in the original piece, explaining how Anderson has a list of 5 questions she asks to figure out whether what she’s working on is any good or not.
A state of flow
The psychologist Mihaly Csikszentmihalyi has died.
Earlier this year my 8-year-old said, “When you’re making video games, you have to find that perfect balance between easy and hard?” And I told him he’d basically summarized Csikszentmihalyi’s concept of flow, and drew him the diagram above to explain.
Csikszentmihalyi’s book Flow: The Psychology of Optimal Experience was a big influence on me when I read it back in 2007. There’s a passage in that book about crossword puzzles that I thought could also be describing my newspaper blackout poems:
There is much to be said in favor of this popular pastime, which in its best form resembles the ancient riddle contests. It is inexpensive and portable, its challenges can be finely graduated so that both novices and experts can enjoy it, and its solution produces a sense of pleasing order that gives one a satisfying feeling of accomplishment. It provides opportunities to experience a mild state of flow to many people who are stranded in airport lounges, who travel on commuter trains, or who are simply whiling away Sunday mornings.
Csikszentmihalyi then goes on to talk explicitly about poetry and writing:
What’s important is to find at least a line, or a verse, that starts to sing. Sometimes even one word is enough to open a window on a new view of the world, to start the mind on an inner journey….
He also wrote about the joys of being an amateur:
Not so long ago, it was acceptable to be an amateur poet….Nowadays if one does not make some money (however pitifully little) out of writing, it’s considered to be a waste of time. It is taken as downright shameful for a man past twenty to indulge in versification unless he receives a check to show for it.
(I wrote more on the subject in Show Your Work!)
Csikszentmihalyi’s TED talk, “Flow, the secret to happiness”
Csikszentmihalyi also wrote a book called Creativity: Flow and the Psychology of Discovery and Invention and he made an interesting list of “paradoxical traits” of creative people:
1. Creative people have a great deal of physical energy, but they’re also often quiet and at rest.
2. Creative people tend to be smart yet naive at the same time.
3. Creative people combine playfulness and discipline, or responsibility and irresponsibility.
4. Creative people alternate between imagination and fantasy, and a rooted sense of reality.
5. Creative people trend to be both extroverted and introverted.
6. Creative people are humble and proud at the same time.
7. Creative people, to an extent, escape rigid gender role stereotyping.
8. Creative people are both rebellious and conservative.
9. Most creative people are very passionate about their work, yet they can be extremely objective about it as well.
10. Creative people’s openness and sensitivity often exposes them to suffering and pain, yet also to a great deal of enjoyment.
RIP.
David Epstein’s Range
My November pick for our Read Like an Artist book club is David Epstein’s Range: Why Generalists Triumph in a Specialized World. To get the book in time to join our discussion next month, sign up now.
Here’s my intro:
“A jack of all trades is a master of none, but oftentimes better than a master of one.” What does it say about our culture that we’ve hacked the ending off of that famous phrase? John Steinbeck said people don’t want advice, they want corroboration, and maybe that’s why I love this book so much: it’s both a validation of how I’ve chosen to go about my life and career and a kick in the pants to stay true to my instincts, to not get complacent, to stretch out, and go down weird paths…
Learn more about David and read what I’ve previously written about the book.
To join our discussion, sign up for the club!
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