Austin Kleon – Page 552

MY NEW YEAR’S RESOLUTION: COLOR

Friday, December 22, 2006

I’m going to teach myself color. It’s something I’ve never understood, and something I’ve never really been able to do. I’m sure that somewhere I have a subconscious understanding of it, but I just can’t consciously create effects using it. I suppose the solution is getting out a big box of crayons and starting to play, but I’ve been putting it off.

Last night I was reading Joann Sfar’s Klezmer, Book One. He is brilliant: he doesn’t plan anything when he writes it, he just cuts loose and lets the story dictate where it goes. His line is so free and sketchy, he just knocks the thing out. (This is why he has more than 100 books to his name.) He sent The Rabbi’s Cat to a colorist, but for this one, i think he did his own color (at least I couldn’t find a credit for another colorist.)

Look at the way his drawings are transformed by color:

I keep wanting Meg to teach me, because she’s a master of color, but we’re so busy that I don’t see it happening any time soon.

So I turn to books. Right now, it’s Josef Albers’ Interaction of Color. Page 8:

On the blackboard and in our notebooks we write: Color is the most relative medium in art.

The book’s aim is to show that colors work only against other colors, and that pleasing effects arise out of these juxtapositions. (When Meghan was learning to paint, her teacher would only let her use color — no blacks, no whites!) This was a big slap in the forehead for me, because my only foray into color has been to use it to accent black and white drawings. Albers uses several examples with colored paper to show different effects:

Meghan did a series of collages last year that were very similar to these paper confections: strips of pure color that she was arranging into these really cool landscapes. I can’t find a scan of them anywhere right now. Maybe I’ll post them later.

Either way: look out color, here I come.

WILLIAM BLAKE AND UNCLE SCROOGE, HAGGLING OVER MONEY

Wednesday, December 20, 2006

This is an engraving by William Blake called “The Laocoon as Jehovah with Satan and Adam.” It was done around 1820, but to me, it looks like it could be a graphic for yesterday’s New York Times magazine.

The graffitti scrawl on this is really nutty: Blake is spouting off a manifesto about Christianity and art:

A Poet a Painter a Musician an Architect, the Man
Or Woman who is not one of these is not a Christian
You must leave Fathers & Mothers & Houses & Lands if they stand in the way of Art

A little extreme for my tastes. I think that pretty much all that stuff is more important than art. (That’s probably why nobody will be reading my comics in 200 years…) And what about weddings? He goes on to say, “For every Pleasure Money Is Useless.” Tell that to the cake baker!

Maybe it’s the huge bags of currency we’re throwing into the celebration fire for this wedding, maybe it’s the Christmas season, or maybe it’s the fact that I’ve been reading Dickens’ Christmas Carol in bed, but I’ve been thinking about money.

Jesus said, “How hard it is for the rich to enter the Kingdom of God!” (Luke 18:24) I guess that means that you should give everything away. Eat, drink, and be merry. Ebenezer’s life sure got better when he started burning through his savings…

And what about charity? What is our motivation for giving to others in need? It’s not necessarily the promise of getting into heaven. Dig this excerpt from an Nytimes article by Peter Singer, “What Should a Billionaire Give — and What Should You?”

Interestingly, neither [Bill] Gates nor [Warren] Buffett seems motivated by the possibility of being rewarded in heaven for his good deeds on earth. Gates told a Time interviewer, “There’s a lot more I could be doing on a Sunday morning?? than going to church. Put them together with Andrew Carnegie, famous for his freethinking, and three of the four greatest American philanthropists have been atheists or agnostics. (The exception is John D. Rockefeller.) In a country in which 96 percent of the population say they believe in a supreme being, that’s a striking fact.

MORE MAPPING

Monday, December 18, 2006

Here’s another map I did with the ol’ sumi-e brush for an essay I’m working on. The piece of paper was really huge, so I had to take a photo with the digital camera. I had all this random junk floating around my head for the essay, but I couldn’t figure out how to put it in linear, narrative form. I started out thinking this would be another radial map (I started with the black box in the bottom-middle), but it ended up with a horizontal flow (what you see is only the top half of the sheet). This was a happy accident, and in the process of drawing the map, I realized the narrative that was hiding amongst all the random junk.

The quote by McCloud in the top, lefthand corner is from chapter 6 of UNDERSTANDING COMICS, “Show and Tell.” Notice the creative writing professor repeating the mantra of workshop: “Show, don’t tell!”

(I should note that even though I often take shots at creative writing workshops, my own workshop professor was wonderful: I took all my workshops at Miami from him, and he is still a good friend of mine. He’ll even be at the wedding!)

BEAUTIFUL EVIDENCE

Wednesday, December 13, 2006

“Science and art have in common intense seeing…” – Edward Tufte

This is a mind map I did while reading Edward Tufte’s new one, Beautiful Evidence. I’ve been interested in this kind of “radial” note-taking ever since I read about “clustering” in one of Janet Burroway’s books on fiction. Graphic facilitators (like the cartoonist Drew Dernavich) do glorified doodling like this for a living.

Beautiful Evidence is, like all of Tufte’s previous books, fantastic. I enjoyed the chapters on picture/word integration and PowerPoint the best. The great thing about Tufte is the primary sources he uses, and in this book, he quoted everything from Galileo’s Starry Messenger, to a guide to spotting a concealed handgun, to Martin Amis’s The War Against Cliche.

Tufte’s sources come from all disciplines: his books are the most inherently integrated and interdisciplinary I’ve ever read. He also draws from great literature. In his Envisioning Information, he quoted from Italo Calvino’s Six Memos For The Next Millenium, which I’ve been hot for all year:

My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language….Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world — qualities that stick to writing from the start, unless one finds some way of evading them.

In other news, I had my first wedding anxiety nightmare last night, so you know it’s getting close. (Meghan’s been having them for weeks now.)

MY READING YEAR, 2006

Tuesday, December 12, 2006

10 great books I read, in descending order:

Soccer In Sun and Shadow
by Eduardo Galeano

The ultimate bathroom reading. Short, smart, prose-poem chapters about soccer. Picked it up because Barry Yourgrau (another good bathroom read) recommended it. Became an instant fan.

Making Comics
by Scott McCloud

Not as good as Understanding Comics, but way better than Reinventing Comics. Any McCloud release is an event. Thrilled to see a chapter on world-building in there. Will make a good textbook someday.

Six Memos For The Next Millennium
by Italo Calvino

Intended as lectures, Calvino died before he could give them. The first five, Lightness, Quickness, Exactitude, Visibility, and Multiplicity, were written. The sixth, Consistency, was not. A hell of a collection of last words from a hell of a writer.

Beautiful Evidence
by Edward Tufte

The fourth of Tufte’s books, contains his devastating pamphlet on Powerpoint, which should be required reading for everyone. Come to think of it, all of his books should be required reading — in the age of pictures and words, they could take the place of freshmam composition…

The Rabbi’s Cat
by Joann Sfar

The Rabbi’s cat swallows a parrot and announces his ambition to learn the Torah. Loose, wonderful drawings, a no-nonsense structure, and a great story. Didn’t get to read Sfar’s Vampire Loves, but that looks excellent too.

Mother Night
by Kurt Vonnegut

Gallows humor, anyone? Picked this up because I read that it was Etgar Keret’s favorite Vonnegut. Devoured it in one sitting during a sunny afternoon on our balcony.

Curses
by Kevin Huizenga

I haven’t actually put my hands on the Curses collection (it’s on the xmas list), but when I was at Quimby’s in Chicago, I bought every Huizenga comic they had, and after that, ordered everything available through USS Catastrophe (including his great booklet for the Center for Cartoon Studies). Along with the stuff available online, I’ve read a good bit of what’s gonna be in the book. His blog is great, too.

Consider The Lobster
by David Foster Wallace

“I don’t know a whole lot about non-fiction journalism, but the way i think about [it] in terms of what I can do is: I think of it as a service industry. Essays like this are occasions to watch somebody reasonably bright but also reasonably average pay far closer attention and think at far more length about all sorts of different stuff than most of us have a chance to in our daily lifes…”

Brilliant dude, brilliant essays. Still haven’t read a bit of his fiction.

Fun Home
by Alison Bechdel

A story that couldn’t be told in any other form than a comic book. I loved meeting Alison, and her Powerpoint presentation about the “making of” made the book seem even more brilliant. Best book published this year, hands down.

Cruddy
by Lynda Barry

Next to getting married, meeting Lynda Barry and hearing her read from Cruddy was probably the event of my year. To me, Lynda is the perfect model of a writer and an artist. This book is just too cool for words.