A few illustrations from the wonderful Olivier Kugler were featured in the NYTimes Book Review this Sunday. Dig also his trip to Cuba that he drew for the Guardian. Really, really, really great stuff.
COLLAGE: WHERE TO TURN WHEN YOU GET STUCK
“I remember great pleasure in cutting out Andy Cap and Flo with manicure scissors, and then cutting little slits in a magazine picture of a big bowl of Beef-a-Roni, and fitting Andy and Flo into them so it looked like they were rising out of the Beef-a-Roni. I remember laughing my head off at that one. I still love collage and I’ve always turned to it when I get stuck writing or drawing.”
—Lynda Barry
Today, obviously, I got stuck.
IN THE STYLE OF THE OLD WOODCUT PICTURES
Supposedly, Chris Ware loved this particular Gasoline Alley strip by Frank King so much that he tore the page out of the Smithsonian Collection Of Newspaper Comics book and had it mounted on the wall of his studio. Given my fondness of the “style of the old woodcut pictures,” I had to rip it off, myself.
I got this great tear sheet scan from Roger Clark’s fantastic archive of annual Gasoline Alley “autumn walk” Sunday pages.
BETTELHEIM ON THE POTENTIAL FOR EVIL
“There is a widespread refusal to let children know that the source of much that goes wrong in life is due to our very own natures– the propensity of all men for acting aggressively, asocially, selfishly, out of anger and anxiety. Instead we want our children to believe that, inherently all men are good. But children know that they are not always good; and often, even when they are, they would prefer not to be. This contradicts what they are told by their parents, and therefore makes the child a monster in his own eyes.
The dominant culture wishes to pretend, particularly where children are concerned, that the dark side of man does not exist, and professes a belief in an optimistic meliorism. Psychoanalysis itself is viewed as having the purpose of making life easy—but this is not what its founder intended. Psychoanalysis was created to enable man to accept the problematic nature of life without being defeated by it, or giving in to escapism. Freud’s prescription is that only by struggling courageously against what seem like overwhelming odds can man succeed in wringing meaning out of his existence.
This is exactly the message that fairy tales get across to the child in manifold form: that a struggle against severe difficulties in life is unavoidable, is an intrinsic part of human existence—but that if one does not shy away, but steadfastly meets unexpected and often unjust hardships, one masters all obstacles and at the end emerges victorious.
Modern stories written for young children mainly avoid these existential problems, although they are crucial issues for all of us. The child needs most particularly to be given suggestions in symbolic form about how he may deal with these issues and grow safely into maturity. “Safe?? stories mention neither death nor aging, the limits to our existence, nor the wish for eternal life. The fairy tale, by contrast, confronts the child squarely with the basic human predicaments.”
—Bruno Bettelheim, The Uses of Enchantment
WHEN THE DUST FINALLY SETTLED
After only a few weeks, I’ve decided to shut down the Newspaper Blackout Poems blog. With work, three different comics I’m working on, and doing my own poems, I just don’t have time for any other project. (I’ll still be posting some on this site now and then.) Thanks to everyone who sent me their poems, and I hope that those interested will go on doing their own.
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