This one is dedicated to Tom Hart, whose “How To Say Everything” I am currently devouring.
SEPPUKU
PLEASE VOTE FOR MY VISUAL NOTE-TAKING 101 SXSW PANEL!
Please do me a huge favor and head over to the SXSW Panel Picker site to vote for a SXSW panel on visual note-taking that will include me, Sunni Brown, Dave Gray, and Mike Rohde. Here’s the description:
Ever since Leonardo put pen to paper, visual note-taking has been a route to improve the quality of your thinking, make information more memorable, and make your ideas easier to share with others. Learn practical techniques and “tricks of the trade” from modern visual note-taking masters: how to write, sketch, and diagram ideas live, in real time, as you hear them.
Even if you’re not planning on going to SXSW this year, if you’ve enjoyed my mind maps, my SXSW visual notes, or drawing tutorials, please head over to the SXSW site, put in a vote, and leave a comment!
Thanks so much!
I COMPOSED THE HOLES
The above snippet came from a Texas Monthly article on Texas songwriters I read on the plane this morning.
It reminded me of Ronald Johnson, in his introduction to radi os, a long poem made by erasing words from Milton’s Paradise Lost: “I composed the holes.” (Johnson was quoting a composer whose name I forget at the moment.)
Composing the holes. That’s what we do when we craft a piece of art, whether it’s drawing or making a blackout poem.
It’s often the holes in pieces of art that make them interesting. What isn’t shown vs. what is.
The same could be said of people. What makes them interesting isn’t just what they’ve experienced, but what they haven’t experienced.
Devoting yourself to something means shutting out other things.
When it comes to education, it’s not just the holes, but the order you fill them in. For instance, if you read the canon straight through, from Homer to McCarthy (or whoever), how original would the connections in your mind be? Better to start with one author you love, who speaks to you, and move in every direction, backwards, forwards, sideways…the juxtapositions you see and the connections you make in your brain will be more unique.
The same is true when you make art: you must embrace your limitations and keep moving.
Compose your holes.
(Written on my iPhone in the Houston airport.)
MORE ON THE TEA BAG DRAWINGS
After two blog posts, I was suddenly an expert on tea drawing, so a nice gal from the American Botanical Council interviewed me about the tea bag doodles:
Austin Kleon, a writer/artist based in Austin, TX, uses tea to create sketches that jump- start his creative juices.
“Tea is for when I want to smoothly sail through the day,” he said (e-mail, July 14, 2009). “Coffee is for when I want to hack through the jungle.”
On the mornings that Kleon opts for tea, he waits until his cup of tea has brewed, and then drops the tea bag on an index card, which produces an unexpected variety of blobs, blurs, and smears. He then hunts for images in the tea stains and creates sketches using a black Sharpie® felt pen. He got the idea from a fellow writer/artist, who got the idea from Dave Gray, the founder of the consulting and design firm XPLANE.
“I really love the color, honestly,” said Kleon. “And it lends a kind of earthy, organic feel to line drawings.”
Many of Kleon’s tea sketches end up depicting light-hearted scenes, such as a “fat kid dancing,” or another with people floating away in hot air balloons. Sometimes he will incorporate a process he learned from another artist’s blog, which involves dividing the piece of paper or note card into a grid of panels, which he then uses to creative cartoon narratives.
“Not-knowing what image will show up is part of the game,” said Kleon. “You get to let your subconscious take over. It’s like a Rorschach inkblot test. You could show the tea stain to 100 different people, and they’d see 100 different images.”
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