Austin Kleon – Page 363

My reading year, 2013

Wednesday, January 1, 2014

Breakthrough this year: thinking of books as potential experiences, not just objects. Matching up a book with my mood, life situation, etc…

In 2013 I had a book to write and an infant to care for, both of which gave me a lot of hell, so I read a lot of novels and Nancy comics.

That said, here are my 10 favorite books I read in 2013:

Patrick DeWitt, The Sisters Brothers

This book couldn’t have been more perfectly matched to my tastes: it’s a great story, a Western, it’s funny, it’s violent, it features a digressive narrator, it has tight, short chapters, and it’s 300 pages long. I heard from at least a half a dozen people who read this book on my recommendation and loved it.

Oliver Burkeman, The Antidote: Happiness for People Who Can’t Stand Positive Thinking

When I was writing Steal Like An Artist, I wasn’t really aware that it would eventually be shelved in the self-help section. So after finding myself there, I became increasingly interested in self-help as a form. One of my favorite things about this book is that it riffs on self-help books without totally abandoning the structure of many self-help books—in each chapter, there’s usually a story, mentions of a few studies, and a lesson, or extrapolation. (The Malcolm Gladwell-ish “story-study-lesson” formula.) It’s a slick trick, and it works. Burkeman is also a good follow online: @oliverburkeman

Ernie Bushmiller, Nancy Is Happy: Complete Dailies 1943-1945

As I mentioned before, this was not an easy year. There were many, many nights when I sighed at my Kindle, sighed at the books on my nightstand, and then picked up a Nancy book and read until I fell asleep. Go out and buy this or the second collection so that Fantagraphics will print another one!

Mohsin Hamid, How to Get Filthy Rich in Rising Asia

Once again, a book with self-help ties: the novel’s structure “mimics that of the cheap self-help books sold at sidewalk stands all over South Asia, alongside computer manuals and test-prep textbooks. Each chapter begins with a rule—‘Work for Yourself,’ ‘Don’t Fall in Love,’ ‘Be Prepared to Use Violence’—and expertly evolves into a narrative.” The whole thing is written in second person, and none of the characters have names. It might sound gimmicky, but it doesn’t come off that way — the execution is pretty perfect, and really moving.

Shunryu Suzuki, Zen Mind, Beginner’s Mind

I started meditating last year, so I got interested in Zen Buddhism. I had this book on my shelf for years, but only read it recently. A lot of my favorite artists have Zen backgrounds, but it was really surprising to me how much of this book applies to creativity and art. (Of course, half of it makes no sense to me at all.) Contrast Suzuki’s line, “When you give up, when you no longer want something, or when you do not try to do anything special, then you do something,” with Andy Warhol: “As soon as you stop wanting something you get it.”

And then there’s my favorite line, which I quoted in Show Your Work!: “In the beginner’s mind there are many possibilities; in the expert’s mind there are few.”

Nathanael West, Miss Lonelyhearts

Another breakthrough for me this year: realizing the value of re-reading books. So I’m doing something out of the ordinary and putting a re-read book on my list. In a way, the book was a kind of dark therapy for me—as I increasingly found my inbox stuffed full of emails from desperate aspiring artists, there was Miss Lonelyhearts to suffer a breakdown so I didn’t have to. Everyone who has ever though about dishing out advice on a mass scale (is there such a species? oh dear) should have to read this first.

Mason Currey, Daily Rituals: How Artists Work

For some time, my motto has been “something small, every day,” so what’s more delicious than a book full of the daily routines of famous artists? Some of my favorites here.

Mary Ruefle, Madness, Rack, and Honey: Collected Lectures

Did I underline more sentences in a book this year? Probably not. My friend Kio wrote of the first essay, “the end of each sentence leaves me gasping the way a kiss can begin in a gasp.” What a wonderful collection of lectures.

Brian Eno, A Year With Swollen Appendices

In many ways, 2013 was my Year of Eno. Listening to Another Green World while working, Music for Airports while meditating, watching his lectures, following the Oblique Strategies — Eno had such a big influence on me that I started Show Your Work! with his concept of “Scenius.” This book is really two books: 300 or so pages are the diary Eno kept in 1995, and 100 or so pages are the “swollen appendices,” little mini-essays on various topics. Sadly, it’s out-of-print, and used copies are very expensive, but it’s worth tracking down. I downloaded a PDF online and read it on my iPad in GoodReader, which was an interesting experience in itself.

Carl Hiaasen, Tourist Season

If you ever go on vacation in Florida, this is the perfect reading material.

10 more good books I read:

George Saunders, Tenth of December
Michael Azerrad, Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991
Max Barry, Lexicon
Peter Straub, Ghost Story
Ellen Ullman, Close To The Machine
Eviatar Zerubavel, The Clockwork Muse: A Practical Guide to Writing Theses, Dissertations, and Books
Caroline Paul & Wendy MacNaughton, Lost Cat: A True Story of Love, Desperation, and GPS Technology
Kio Stark, Don’t Go Back To School
Karen Green, Bough Down
Robin Sloan, Mr. Penumbra’s 24-Hour Bookstore

And 3 good books I started, was enjoying, but somehow didn’t finish:

Studs Terkel, Working
Victor Papanek, Design For The Read World
Greil Marcus, Lipstick Traces

For fuller recaps of all of the above and every book I read this year, browse the tag: my reading year 2013

See my favorite books from the past eight years of reading here.

Chalk drawing

Tuesday, December 31, 2013

I’ve never had a journalist bring art supplies to an interview, but when Adrienne Breaux interviewed me in October for a forthcoming piece in Uppercase Magazine, she brought some chalk along and let me doodle while we talked. Hope it starts a trend.

Something small, every day

Sunday, December 29, 2013

It takes time to do anything worthwhile, but thankfully, we don’t need it all in one chunk. So this year, forget about the year as a whole. Forget about months and forget about weeks.

Focus on days.

The day is the only unit of time that I can really get my head around. Seasons change, weeks are completely human-made, but the day has a rhythm. The sun goes up; the sun goes down. I can handle that.

There’s a reason many recovering alcoholics adopt “one day at a time” as their way of being. Here’s Richard Walker in Twenty-Four Hours A Day:

Anyone can fight the battles of just one day. It is only when you and I add the battles of those two awful eternities, yesterday and tomorrow, that we break down. It is not the experience of today that drives us mad. It is the remorse or bitterness for something that happened yesterday or the dread of what tomorrow may bring. Let us therefore do our best to live but one day at a time.

Building a body of work (or a life) is all about the slow accumulation of a day’s worth of effort over time. Writing a page each day doesn’t seem like much, but do it for 365 days and you have enough to fill a novel.

The comedian Jerry Seinfeld has a calendar method that helps him stick to his daily joke writing. He suggests that you get a wall calendar that shows you the whole year. Then, you break your work into daily chunks. Each day, when you’re finished with your work, make a big fat X in the day’s box. Every day, instead of just getting work done, your goal is to just fill a box. “After a few days you’ll have a chain. Just keep at it and the chain will grow longer every day. You’ll like seeing that chain, especially when you get a few weeks under your belt. Your only job next is to not break the chain.”

Every day, no matter what, I make a poem and post it online. Most days they’re mediocre, some days they’re great, and some days they’re awful. (Jerry Garcia: “You go diving for pearls every night but sometimes you end up with clams.”) But it doesn’t matter to me whether the day’s poem was good or not, what matters is that it got done. I did the work. I didn’t break the chain. If I have a shitty day, I go to sleep and know that tomorrow I get to take another whack at it.

The past couple of months, I haven’t worried too much about keeping a calendar, because I’ve got myself pretty well trained. But there’s always the temptation to skip a day, so when I moved into a new studio space last week, one of the first things I did was hang (a modified version) of one of these workplace safety scoreboard signs on the wall. We’ll see how long of a streak I can go on.

Anyways, if you make a New Year’s resolution, make it this: something small, every day.

Figure out what your little daily chunk of work is, and every day, no matter what, make sure it gets done.

Don’t say you don’t have enough time. We’re all busy, but we all get 24 hours a day. People often ask me, “How do you find the time for the work?” And I answer, “I look for it.” You find time the same place you find spare change: in the nooks and crannies. You find it in the cracks between the big stuff—your commute, your lunch break, the few hours after your kids go to bed. You might have to miss an episode of your favorite TV show, you might have to miss an hour of sleep, but you can find the time to work if you look for it.

What I usually recommend: get up early. Get up early and work for a couple hours on the thing you really care about. When you’re done, go about your day: go to school, go to your job, make your family breakfast, whatever. Your teacher or your boss or your kids can’t take your work away from you, because you already did it. And you know you’ll get to do it tomorrow morning, as long as you make it through today.

Do the work every day. Fill the boxes on your calendar. Don’t break the chain.

And should you start to despair at your progress, always keep in mind the words of Harvey Pekar: “Every day is a new deal. Keep working and maybe something will turn up.”

Happy New Year.

This post contains adapted excerpts from my books Steal Like An Artist and Show Your Work! Subscribe to my newsletter to get new writing and art every week.

Show Your Work! Book Trailer

Sunday, December 15, 2013

Can’t see the video? Watch it here→

Show Your Work! is a kind of sequel — if the last book was about stealing influence from others, this one is about influencing others by letting them steal from you.

So it made sense for the new book trailer to echo the last one. As I joked then, I sort of hate book trailers, so I decided to make a cute dog video disguised as a book trailer instead.

The thing I hate about most video production is that it just takes too much money and time. I made this trailer in two afternoons, using equipment I already owned, with software that came standard on my iMac — I shot the footage with my Panasonic Lumix, made the animations in Keynote, recorded the music and voiceover in Garageband with my Blue Yeti USB mic, and hacked it together using iMovie. (I do NOT recommend ever using iMovie for anything, but I knew it would work for what I had in mind.)

I thought I might show a little bit of my work, below. (See what I did there? Ha.) It ended up getting a little long, so skip to the end if you just want takeaways.

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