Where was this one when I needed it?
Make the journal you’d like to use
For years, people have asked me what kind of notebook I recommend, so I finally decided to just make my own.
Like I wrote in Steal Like An Artist, “Write the book you want to read.” Make the journal you want to use.
Drops in October, followed by a small tour. Pre-order it here.
A screenshot of an in-progress page:
Potential reactions
From playwright Sarah Ruhl’s terrific book, 100 Essays I Don’t Have Time To Write:
Recently, my son said to me after seeing a ballet on television: “It’s beautiful but I don’t like it.” And I thought, Are many grown-ups capable of such a distinction? It’s beautiful, but I don’t like it. Usually, our grown-up thinking is more along the lines of: I don’t like it, so it’s not beautiful. What would it meant to separate those two impressions for art making and for art criticism?
See also: “Borrow a kid”
10 things I learned while writing my last book
My third book Show Your Work! came out a year ago. I kept a diary while writing the book, but it’s too painful and embarrassing to share in full. So here’s a list of lessons I learned while writing it, adapted from a series of tweets…
1. Don’t try to write a book while taking care of a newborn baby.
I drastically underestimated how much physical, mental, and spiritual energy it requires. (Sarah Ruhl writes really well about the distractions of parenting.) Those first two months are just brutal — take them off if you can. Keep a pocket notebook and take little notes for later.
2. Write outside of the house.
Get an office, or go to the coffee shop, or ride the train around. At the very least, find a room in your house with a door that closes. Set up a bliss station.
I wrote Show at the top of the stairs in an open loft, wearing headphones to try to block out the cries of the baby. Let me tell you: Headphones are not a replacement for a shut door.
3. Stop researching, start writing.
“There’s an awful temptation to just keep on researching,” says David McCollough. “There comes a point where you just have to stop, and start writing. When I began, I thought that the way one should work was to do all the research and then write the book. In time I began to understand that it’s when you start writing that you really find out what you don’t know and need to know.”
4. Once you’re in the middle of writing the book, talk about the book as little as possible.
I’m an extreme extrovert, which is really great after I write a book and I have to go out into the world and talk to people about it, but not so great when I need to sequester myself long enough to actually get some real writing done.
I do most of my thinking “out loud,” which means that ideas don’t really come to me until I’ve expressed them. If I express them through speech, I’m less likely to turn around and say them in writing. (This chart might help.)
5. Stick to an outline until you’re between drafts.
This has screwed me so many times. Don’t try to change structure during a draft. Power through until the draft is done. (Get The Clockwork Muse, which covers this subject brilliantly.)
6. A book can be a pain-in-the-ass to write as long as it isn’t a pain-in-the-ass to read.
People are surprised when I tell them what a horrible time I had writing this book. Which means I did my job!
7. Your partner is so, so sick of you.
Seriously. Do something nice for him/her, or at the very least, don’t talk about your book. Schedule regular time together when you don’t talk about work.
8. Don’t use childbirth as a metaphor.
There is only one way that writing a book is like giving birth: After it enters the world, the pain is mostly over, but the work has only begun.
9. Don’t squander your momentum.
After you finish one book, start writing something else as soon as you can. Chain-smoke.
If you’re truly burnt out, quit for a while. Read. Travel. Talk to people. Go away so you can come back.
10. Know what you’re getting into.
Best case scenario: You write a good book that sells. Then everyone will want you to write another one. “What next?” is a never-ending question for the writer… so beware!
You can get a copy of Show Your Work! right here.
The So What? Test
The act of sharing is one of generosity—you’re putting something out there because you think it might be helpful or entertaining to someone on the other side of the screen.
I had a professor in college who returned our graded essays, walked up to the chalkboard, and wrote in huge letters: “SO WHAT?” She threw the piece of chalk down and said, “Ask yourself that every time you turn in a piece of writing.”
It’s a lesson I never forgot.
Always be sure to run everything you share with others through The “So What?” Test. Don’t overthink it; just go with your gut.
If you’re unsure about whether to share something, let it sit for 24 hours. Put it in a drawer and walk out the door. The next day, take it out and look at it with fresh eyes. Ask yourself, “Is this helpful? Is it entertaining? Is it something I’d be comfortable with my boss or my mother seeing?”
There’s nothing wrong with saving things for later. The SAVE AS DRAFT button is like a prophylactic—it might not feel as good in the moment, but you’ll be glad you used it in the morning.
This post is an excerpt from my book, Show Your Work!
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